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items tagged with Parenthood

Running, DUFFing, Tubbing: "McFarland USA," "The DUFF," and "Hot Tub Time Machine 2"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2015-02-23 15:29:26

Kevin Coster and Ramiro Rodriguez in McFarland USAMCFARLAND USA

God, I hate Disney. Not all the time, of course, and in any case, “hate” is probably a strong word. But why does the studio have to keep releasing live-action movies that are inseparable from cartoons, with all of the potentially legitimate conflict inevitably dulled down and scrubbed squeaky-clean? And why does its succession of inspirational sports dramas never feature any actual coaching beyond bland and clichéd motivational speeches? And why do these damned things keep making me weep like a baby?


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Walking, Running, Retching, Kvetching: "A Walk Among the Tombstones," "The Maze Runner," "Tusk," and "This Is Where I Leave You"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-09-21 22:19:52

Liam Neeson in A Walk Among the TombstonesFriday, September 19, 10:10 a.m.-ish: It’s been six weeks since my last quadruple feature, and I’m expecting this one to start with supreme novelty, considering that the poster for the day’s first feature, A Walk Among the Tombstones, boasts the image of a brooding Liam Neeson holding a gun. That’s right: Liam Neeson! That guy from Schindler’s List! Brooding and holding a gun! How does Hollywood keep coming up with such fresh ideas?!


Read More About Walking, Running, Retching, Kvetching: "A Walk Among The Tombstones," "The Maze Runner," "Tusk," And "This Is Where I Leave You"...


"Love Actually" Is a Glorious Mess: Also, "Master & Commander: The Far Side of the World"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2003-11-19 00:00:00

Emma Thompson in Love ActuallyLOVE ACTUALLY

If you are to believe the (mostly) glowing responses to Love Actually, writer-director Richard Curtis has compressed material for a half-dozen romantic comedies into one, creating, in the words of one reviewer, “an epic romantic comedy.” But that’s not exactly accurate. For his first directorial outing, Curtis – the clever, funny screenwriter of Four Weddings & A Funeral and Notting Hill – has apparently decided to take every idea he’s ever had, every last one, and blend them into a frothy, holiday-themed confection; it’s less an epic romantic comedy than a romantic comedy shaped as an epic (which isn’t the same).


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