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items tagged with Parker Posey

Zellweger Shines (Again) in “Diary”: “Bridget Jones’s Diary,” “Blow,” and “Josie & the Pussycats”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-04-18 12:00:00

Renee Zellweger in Bridges Jones's DiaryBRIDGET JONES'S DIARY

A terrific leading character can atone for a lot of wrongs in a film, and there might be no better proof of that thesis than Bridget Jones's Diary, Sharon Maguire's adaptation of Helen Fielding's incredibly popular novel. Our heroine, a 32-year-old British woman who works a dead-end publishing job, is a completely realistic type we almost never see in movies: a chain-smoking, wine-slurping, slightly overweight, unsatisfied-in-relationships flirt who wants desperately to better herself but doesn't have the motivation or discipline to do so. Flawed as she is, she's intensely endearing, and as perfectly played by Renée Zellweger, she's a magically comic creation, even more wonderful than Zellweger's previous incarnations of Dorothy Boyd and Nurse Betty. That the moviemakers spend the film's running length putting her in one humiliating situation after another, and that she's trapped in a predictable love triangle between a cad and a sweetie, aren't to be held against her; Bridget Jones, and Zellweger herself, triumph over their circumstances, creating a totally enjoyable cinematic work, flaws and all.


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“Best” and Worst: “Best in Show” and “Pay It Forward”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2000-11-01 12:00:00

Eugene Levy and Catherine O'Hara in Best in ShowBEST IN SHOW

The genius of Christopher Guest lies in his belief that nothing is funnier than mediocrity. (He's the antithesis of Peter Shaffer's Salieri in Amadeus, who saw it as a tragic failure.) In his two finest cinematic efforts, This Is Spinal Tap and Waiting for Guffman, the performers examined in the "mockumentary" format - Tap's hard rockers and Guffman's thespians - were delightful because of their clueless self-satisfaction; they truly thought they were creating Art, or at least really kick-ass entertainment. And the joke blossomed every time we watched them perform their shows before audiences, because it turned out that these well-meaning hacks, while by no means terrific, weren't all that bad. They might have been lacking in talent, but their enthusiasm was infectious, and it made sense that their shows were hits. (God knows I've seen worse community-theatre productions than Guffman's Red, White, & Blaine.) Guest, who co-wrote both films and served as director for Guffman, was thereby able to poke fun at his characters and have you genuinely rooting for them at the same time.


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