items tagged with Paul Haggis
Written By: Mike Schulz
Section: Movies
Category: Reviews
2010-11-22 13:53:45
HARRY POTTER & THE DEATHLY HALLOWS: PART I
About two-thirds of the way through Harry Potter & the Deathly Hallows: Part I, Rupert Grint’s Ron Weasley finally has it out with Emma Watson’s Hermione Granger and Daniel Radcliffe’s Harry. Fed up with the apparent hopelessness of their latest quest, and more than a bit peeved about his eternal status as Harry’s second banana, Ron angrily asserts that the three wizards-in-training aren’t finding anything and aren’t getting anywhere, and eventually storms off in a huff. Never in my life have I felt so connected to Rupert Grint.
Read More About Harry Potter And The Deathly Pacing: "Harry Potter & The Deathly Hallows: Part I" And "The Next Three Days"...
Written By: Mike Schulz
Section: Movies
Category: Reviews
2007-10-03 08:27:30
IN THE VALLEY OF ELAH
Paul Haggis' In the Valley of Elah continually approaches greatness without ever really getting there.
Read More About War Is Hell: "In The Valley Of Elah," "The Kingdom" And "Resident Evil: Extinction"...
Written By: Mike Schulz
Section: Movies
Category: Reviews
2006-09-20 04:34:58
THE BLACK DAHLIA
The opening sequence of Brian De Palma's L.A. noir The Black Dahlia is so busily choreographed that, at first, you think it has to be some sort of put-on. A melee involving a street full of cops and sailors in downtown Los Angeles circa 1946, the balletic, slow-motion punching and flailing is orchestrated within an inch of its life; nothing about it seems real, but it's so dazzlingly executed that you hardly care. But with Josh Hartnett's ersatz tough-guy narration droning away, it quickly becomes clear that the scene isn't meant to be funny. It isn't comedy that De Palma's going after here but stylization, and as The Black Dahlia progresses, it's obvious that the director doesn't have the cast or screenwriter required to give his baroque touches a context. A few nastily enjoyable moments aside, the film is dour, dull, and confusing, enlivened only by a few zesty supporting portrayals and whatever directorial wit De Palma can bring to it.
Read More About A Lighter Shade Of Noir: “The Black Dahlia,” “Gridiron Gang,” “The Last Kiss,” And “The Protector”...
Written By: Mike Schulz
Section: Movies
Category: Feature Stories
2006-02-22 00:00:00
In discussing this year’s Oscar races in the picture, director, and the acting categories, we may as well begin with the nominee area audiences had the least chance of catching, as it was the only major contender yet to get an area release: Duncan Tucker’s Transamerica.
Read More About Oscar-Mire Winners...
Written By: Mike Schulz
Section: Movies
Category: Feature Stories
2005-12-28 00:00:00
My annual challenge in composing a list of the year’s best movies almost never lies in deciding what to list. It lies in deciding when to list. As every movie fan knows, film studios – both majors and independents – generally unleash their most prominent Academy Award hopefuls (and, oftentimes, most interesting works) at the end of December, giving these films their best chance at being remembered, and potentially embraced, by the notoriously forgetful Academy.
Read More About Mike Schulz Toasts 2005's Great Movies...
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