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items tagged with Paul Thomas Anderson

I’m with Stupid: "You Don't Mess with the Zohan" and "Kung Fu Panda"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2008-06-11 08:17:24

Adam Sandler in You Don't Mess with the ZohanYOU DON'T MESS WITH THE ZOHAN

The latest Adam Sandler vehicle, You Don't Mess with the Zohan, is crass, infantile, moronic, and, on almost any level you can name, pretty damned offensive. I could kill myself for having so much fun at it.


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Snake, Oil Salesman: "There Will Be Blood" and "U2 3D"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2008-01-30 08:24:19

Dillon Freasier and Daniel Day-Lewis in There Will Be BloodTHERE WILL BE BLOOD

As much as I adored Paul Thomas Anderson's There Will Be Blood - and I adored nearly every second of its 150-minute running length - it's the type of movie that I hate composing a review for, because no matter what I write, I know it won't come close to doing the achievement justice.


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Cruise in for a Bruisin’: "Mission: Impossible III"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2006-05-10 09:00:17

Tom Cruise and Keri Russell in Mission: Impossible IIIMISSION: IMPOSSIBLE III

Call it envy, call it sour grapes, call it schadenfreude, but I’ll admit to hugely enjoying the public meltdown of Tom Cruise, mostly because it’s finally making him interesting. Cruise has always been too bland to be true. He’s moderately proficient, and in several of his films – most recently Collateral and Minority Report – he’s even been impressive. But he has too few resources to draw upon as a performer. It would be hard to accuse Cruise of slouching on the job – he’s determined and earnest, and you can sense him trying to suggest interior life. But his line readings have no surprise and his on-screen performances rarely build; whenever a new scene begins, Cruise appears to have forgotten everything his character experienced in his previous scenes. He can’t seem to play more than one emotion, or one thought, at a time.


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A Hundred-Plus Reasons to Go to the Movies
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2004-10-27 00:00:00
My first article for the River Cities’ Reader appeared in Issue 18, way back in March of 1995. (You know how long ago that was? Tom Hanks had only one Oscar.) Serving as the Reader’s film critic was, and still is, a terrific gig – for an avowed movie fanatic who loves to write, the chance to expound on the state of cinema has always been about more than giving a particular work a “yay” or “nay” vote; it’s given me, in a minor way, the opportunity to analyze an entire culture, to try to understand what’s in the heads of those who make films, and those who distribute films, and the millions of us who view them.
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"Punch-Drunk Love" Is a Sandler Movie for Nobody: Also, "Tuck Everlasting," "Full Frontal," and "Igby Goes Down"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2002-10-30 00:00:00

Emily Watson and Adam Sandler in Punch-Drunk LovePUNCH-DRUNK LOVE

Punch-Drunk Love is exactly what its writer-director, Paul Thomas Anderson, claims it to be – “an art-house Adam Sandler movie” – yet I can’t be alone in thinking: What’s the point of that? Is Anderson merely trying to show up the hacks who’ve directed Sandler in other films? (Again: What’s the point?) All throughout, the movie is beautifully filmed, exquisitely composed, and filled with Anderson’s uncanny knack for stretching a scene out longer than it should humanly run and making you hang on every delirious second of it.


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