items tagged with Peter Farrelly

HOLLYWOOD HOMICIDE

During Hollywood’s Summer Blockbuster season, we critical types generally spend three months bemoaning the tired, formulaic scripts that inevitably lead to tired, formulaic summer movies, and when we do find something worth sitting through – The Matrix Reloaded, say, or X2: X-Men United – it’s almost always despite the banality of their screenplays. (Which makes the release of a Finding Nemo, in which the brilliant execution is matched by an inspired script, even more miraculous.) Who cares about inventive plotting or smart dialogue or even basic coherence if, instead, you get to watch Keanu Reeves tussle with a hundred Hugo Weavings? Undemanding, turn-your-brain-off-and-enjoy entertainment certainly has its place, and even those of us with a particular aversion to Hollywood Blockbusters might be inclined to be a bit more generous than usual in our appraisal of empty-headed summertime escapism.

HARRY POTTER & THE SORCERER'S STONE

When I sheepishly tell friends that I haven’t yet read any of J.K. Rowling’s Harry Potter books, their reaction is usually shock – “You’re kidding!” – followed by euphoric insistence – “You’ve got to read them! You’ll love them!” When I tell these same friends that I didn’t much like the movie version of Harry Potter & The Sorcerer’s Stone, I get a different response, one that’s a combination of mild disgust and serious condescension.

THE OTHERS

Alejandro Amenabar’s ghostly The Others feels like the film version of some beautifully chilling short story by Lovecraft or Shirley Jackson, where “Boo!”-style thrills take a back seat to dread and psychological complexity; it’s a savvy, entertaining piece.

SHREK

Let’s face it: Kids are gonna love Shrek, Dreamworks’ comedic, computer-animated fairy tale. They’ll get a kick out of the loud, outsize characters and superb visuals, and they’ll probably laugh a lot. No one under 12 will want to miss it.

As for the rest of us ... .

CHICKEN RUN

To discuss the numerous, simple joys of Chicken Run is to risk ruining what's great about the film; how beautifully it's underplayed, and how sly and gentle its considerable streak of humor is. Using Nick Park's miraculous Claymation, the film tells the story of a group of miserable, caged English chickens who are trying, in vain, to escape from their evil human captor (voiced by Miranda Richardson). Their days appear numbered until the arrival of Rocky (Mel Gibson), an American circus-escapee known for his "Flying Rooster" act. The chickens' hope is that he'll teach them to fly away to safety; Rocky's hope is that they won't discover he's a fraud.