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items tagged with Philip Glass

Ten Little Indies: "Begin Again," "Life Itself," "Elaine Stritch: Shoot Me," "Stranger by the Lake," "Interior. Leather Bar.", "Nymphomaniac: Volume One," "Nymphomaniac: Volume Two," "The Unknown Known," "The Immigrant," and "Snowpiercer"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-07-30 19:29:48

Keira Knightley in Begin AgainLike many reviewers who publish year-end recaps featuring top-10 rankings and such, I keep a running list of every new movie I see during the year, arranged in order of preference. (Wow. Seeing it in writing, that seems really anal-retentive. Maybe only I do that.) And after updating this list over the weekend, I scanned my current 10 favorites and thought, “For July, that’s a pretty great lineup.”

Of course, that lineup is only impressive because five of its titles – Life Itself, Elaine Stritch: Shoot Me, Stranger by the Lake, Nymphomaniac: Volume One, and Snowpiercer – are 2014 films I caught on home video and through streaming services. If I only included movies that played at area cineplexes, my top-10-to-date wouldn't look so hot. I mean, sure, Muppets Most Wanted, 22 Jump Street, and Hercules were a lot of fun, but come on ... . Two sequels, both inferior to their predecessors, and Brett Ratner directing The Rock? (With apologies to Dwayne Johnson, who’s actually awesome.) Hell, the new-to-our-area indie musical Begin Again would almost land in my cineplex top 10, and I didn’t even like it that much.


Read More About Ten Little Indies: "Begin Again," "Life Itself," "Elaine Stritch: Shoot Me," "Stranger By The Lake," "Interior. Leather Bar.", "Nymphomaniac: Volume One," "Nymphomaniac: Volume Two," "The Unknown Known," "The Immigrant," And "Snowpiercer"...


Demigods and an Acting God: “Percy Jackson & the Olympians: The Lightning Thief” and “A Single Man”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2010-02-22 14:42:42

Brandon T. Jackson, Logan Lerman, and Alexandra Daddario in Percy Jackson & the Olympians: The Lightning ThiefPERCY JACKSON & THE OLYMPIANS: THE LIGHTNING THIEF

Just because the title is rather unwieldy, and the film is about an adolescent with otherworldly abilities, and this kid has male and female tag-along pals with powers of their own, and there are a lot of CGI effects on display, and the director is Harry Potter & the Sorcerer's Stone and Harry Potter & the Chamber of Secrets helmer Chris Columbus, don't think that Percy Jackson & the Olympians: The Lightning Thief is necessarily indebted to J.K. Rowling. The latest Harry Potter movie, after all, found its hero contending with a Half-Blood Prince. This adventure, on the other hand, finds its son-of-Poseidon protagonist attending Camp Half-Blood. See? They're not even remotely similar.


Read More About Demigods And An Acting God: “Percy Jackson & The Olympians: The Lightning Thief” And “A Single Man”...


Mike's Online-Only Movie Reviews - 2007
Written By: Mike Schulz
Section: Movies

Category: Reviews

2007-10-30 00:41:02

Eduardo Verastegui and Tammy Blanchard in BellaBella (PG-13) - Alejandro Monteverde's drama, which concerns the friendship between a chef and a newly pregnant, newly unemployed waitress, received the People's Choice Award at the 2006 Toronto Film Festival. Um... who are these "people," exactly? Space people? Because I can see how Bella might be confused with a great movie if you didn't understand a word of human conversation. Even then, of course, you might still be put off by the film's bizarre editing (with flash-forwards routinely, meaninglessly interrupting scenes-in-progress) and lackluster photography; Montevrede shows more interest in food than in his stars. And then there's that baffling ending, which seems to set the film up for a sequel - one that fills in that massive "Huh?!?" of a climactic plot hole. But it's still the mawkish, maudlin screenplay that does it in; Eduardo Verástegui (looking uncannily like Jim Caviezel as Christ) and Tammy Blanchard (as ever, looking uncannily like Judy Garland) are stuck with unplayable dialogue and baldly written characters, and the movie shamelessly plies on the merely-functional supporting stereotypes. The movie is pro-life and pro-family with a vengeance, which might account for its (limited) popular success. I just wish it were also a little pro-brain, and a lot anti-cliché.


Read More About Mike's Online-Only Movie Reviews - 2007...


A "Scandal"-ous Waste of Skill: "Notes on a Scandal," "Volver," "Smokin' Aces," and "The Hitcher"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2007-01-31 09:33:08

Cate Blanchett and Judi Dench in Notes on a ScandalNOTES ON A SCANDAL

In Richard Eyre's Notes on a Scandal, Judi Dench appears to be having an amazingly fine time playing an evil harridan. Why does the movie itself have to be such a dud? In the film, Dench portrays prickly history teacher Barbara Covett, who becomes pathologically obsessed with Sheba Hart (Cate Blanchett), a younger colleague in the art department. (As Barbara's last name suggests, Eyre's film, based on the novel by Zoë Heller, won't be much concerned with subtlety.) When Barbara discovers that the married Sheba has been carrying on with a 15-year-old student (Andrew Simpson), she uses the knowledge to surreptitiously gain Sheba's trust, in the hopes of turning their friendship into something more, shall we say, Sapphic. Subsequently, threats are made, careers are jeopardized, relationships are destroyed ... and why oh why isn't the movie more fun?


Read More About A "Scandal"-Ous Waste Of Skill: "Notes On A Scandal," "Volver," "Smokin' Aces," And "The Hitcher"...


The Jig Is Up: “Saw III,” “Catch a Fire,” “Flicka,” and “Roving Mars”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2006-11-01 04:31:53

Shawnee Smith and Bahar Soomekh in Saw IIISAW III

There's a shot in Saw III - one of the less repellent ones, and one of the few that makes any sense whatsoever - that proves pretty emblematic of the movie as a whole. A middle-aged man, attempting to escape the machinations of the serial killer Jigsaw, runs down a dank hallway and vomits, and as he does, the camera pans down for a close-up of the bile. In a nutshell, that's Saw III - having our faces shoved in puke. (Also blood, entrails, and, in one sequence, pureed pig.) Whatever ultra-violent wit the Saw series may have once boasted is nowhere on display here; the film is 105 minutes of solid torture, both for Jigsaw's hapless victims and for the audience.


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