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items tagged with Pierce Brosnan

Midnight Below Paris: "As Above, So Below" and "The November Man"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-09-01 00:58:15

Marion Lambert and Perdita Weeks in As Above, So BelowAS ABOVE, SO BELOW

Sometimes, because our expectations for it are usually so low, all a horror film needs to get by is a really juicy setting. Of course, it helps if there’s also some talent involved, and I’m pleased to report that John Erick Dowdle’s As Above, So Below actually has both. This claustrophobic creep-out may be frequently silly and too inscrutable for its own good, but it boasts a spectacularly eerie locale in its Parisian catacombs (home to the remains of 6 million deceased), and Quarantine and Devil director Dowdle continues his impressive run of lending superb craftsmanship to routine scare-flick scenarios.


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Darling, I Love You, but Give Me Park Avenue: "Blue Jasmine," "The World’s End," and "You’re Next"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2013-08-25 23:41:52

Cate Blanchett in Blue JasmineBLUE JASMINE

Woody Allen’s new drama Blue Jasmine is modeled, both loosely and very specifically, on Tennessee Williams’ A Streetcar Named Desire, and if you’re familiar with that stage classic – or, really, with Williams’ oeuvre in general – you can correctly presume that the movie will not end on a note of cheer. Yet for the life of me, I couldn’t convince my face of that, because Cate Blanchett’s almost impossibly fine performance in the writer/director’s latest left me smiling so contentedly you would’ve thought the screening came with an open bar and complimentary full-body massage. Catching up with me on the way out of the auditorium, a friend, regarding Blanchett’s portrayal, said, “I think I’m gonna be high for a week.” I’m pretty sure I vocalized my agreement but was feeling too high to be certain.


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Near-Perfect Getaway: “Drive,” “Straw Dogs,” and “I Don’t Know How She Does It”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2011-09-19 02:29:40

Ryan Gosling in DriveDRIVE

Drive is the first action thriller I’ve seen in ages in which the chases and threats and killings actually matter. Yet it’s also the first movie I’ve seen in ages, in any genre, in which a kiss actually matters, which is a far greater surprise. Directed by Danish helmer Nicolas Winding Refn, whose work here earned him Best Director laurels at this past spring’s Cannes Film Festival, the film is a sleek, exciting, and unexpectedly affecting tour de force of mood, like what you’d get if the Michael Mann of Manhunter and the David Lynch of Blue Velvet collaborated on a scrappy, grubby B-picture for drive-in audiences. I couldn’t possibly mean that as a higher compliment.


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How Lo Can You Go?: "The Back-up Plan," "The Losers," and "Oceans"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2010-04-25 19:07:08

Alex O'Loughlin and Jennifer Lopez in The Back-up PlanTHE BACK-UP PLAN

"All right. Let's hear your pitch."

"Well, we're calling it The Back-Up Plan. It's about this successful single woman named Zoe, desperate for a baby but fed up with the New York dating scene, who decides to get artificially inseminated and raise the child on her own."

"Ah. So you're thinking an intimate character drama about the hardships of pregnancy and single-motherhood?"

"Oh, hell no. Slapstick romantic comedy! You see, only a few minutes after her procedure, Zoe hails a cab and gets inside at the exact same moment that a handsome stranger does! They argue about who saw the cab first, Zoe storms off in a huff, and whammo! They're in love!"
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Roman’s Holiday: “The Ghost Writer,” “Diary of a Wimpy Kid,” “The Bounty Hunter,” and “Hubble 3D”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2010-03-22 13:28:45

Pierce Brosnan and Ewan McGregor in The Ghost WriterTHE GHOST WRITER

Calling Roman Polanski's The Ghost Writer "lighthearted" isn't entirely accurate, as the movie is a moody suspense thriller concerning high-level government conspiracies, and its color palette seems to shift only from gray to very dark gray. Then again, this is a Polanski film we're talking about - coming from the man who gave us Rosemary's Baby, Repulsion, Chinatown, and The Pianist, it's practically Gidget Goes Hawaiian.


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