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items tagged with Psycho

Bored. Mike Bored. : "Spectre" and "The Peanuts Movie"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2015-11-07 23:25:53

Daniel Craig in SpectreSPECTRE

Watching the opening credits to the new James Bond thriller Spectre, I leaned back in my seat, smiled, and thought, “Man, I love these things.” Not Bond movies, per se, but their opening credits. The lushly rendered colors. The serenely gliding camera pans. The artful poses and undulating torsos. The charming, deferential formality of the star’s name followed by “ … as Ian Fleming’s James Bond 007 in … .” The mystery of the accompanying pop song, which is as likely to be atrocious as marvelous. (Spectre’s “Writing’s on the Wall,” sung by Sam Smith, leans more toward the former. And call it gender bias or even blatant sexism, but I do think that unless you’re Paul McCartney or maybe Simon Le Bon, these duties should really be handled by women.)

But my absolute favorite thing about the James Bond title sequences is that in the 53 years since Dr. No, they’ve hardly changed a whit, meaning that those serving such below-the-line positions as second-unit assistant director, supervising sound editor, and “Mr. Craig’s makeup” get listed at the start right alongside Ian Fleming and Daniel Craig themselves. It’s a lovely gesture and a touching hat-tip to the series’ longevity, and it’s got to be cool for those professionals whose names usually flash on-screen while patrons are leaving the auditorium. I bet it’s cool even if, as in Spectre, your eye is being averted from those names by the silhouetted octopus tentacles shown embracing Bond and his two nubile lady friends. At first, I wondered: Why an octopus? To suggest the elastic, multi-limbed reach of evil? To prepare us for an underwater Bond in the vein of Thunderball? I never really got my answer, but after two-and-a-half punishingly long hours, I started thinking the creature was merely there to create a perverse nostalgia for the comparative wit and excitement of Octopussy.


Read More About Bored. Mike Bored. : "Spectre" And "The Peanuts Movie"...


The Needle in the Haystack: "Zero Dark Thirty," "Gangster Squad," "A Haunted House," and "Hitchcock"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2013-01-14 18:45:03

Jessica Chastain in Zero Dark ThirtyZERO DARK THIRTY

As an orchestrator of cinematic suspense, Kathryn Bigelow might currently be without peer in American movies. The sequences of Jeremy Renner dismantling explosives in the director’s Oscar-winning The Hurt Locker were miniature masterpieces of sustained excitement; despite our knowing, through much of the film, that it was too early for Renner’s Sergeant William James to be killed off, each masterfully shot and edited act of bomb disposal vibrated with legitimate threat. In Zero Dark Thirty – Bigelow’s and screenwriter Mark Boal’s fictionalized docu-drama about the decade-long search for Osama bin Laden – nearly every scene feels like a ticking time bomb. There is, of course, never any doubt about the narrative’s outcome, yet Bigelow’s gifts for composition and pacing ensure that you still watch the picture with rapt attention and dread. And blessedly, she’s also a spectacular entertainer. The movie is tough-minded and sometimes tough to watch, but even when Bigelow is fraying your nerves, she’s tickling your senses.


Read More About The Needle In The Haystack: "Zero Dark Thirty," "Gangster Squad," "A Haunted House," And "Hitchcock"...


Time Warped: "Looper," "Pitch Perfect," "Won’t Back Down," and "House at the End of the Street"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-10-01 13:11:53

Joseph Gordon-Levitt and Bruce Willis in LooperLOOPER

Rian Johnson’s Looper, a time-travel thriller set primarily in the year 2044, casts Joseph Gordon-Levitt as a contract killer whose life is upended with the arrival of his latest target: his older self, who has been transported from the year 2074 and is played by Bruce Willis. This means that, with Gordon-Levitt delivering rather uncanny likenesses of his co-star’s traditional scowls and smirks – and with the younger actor’s countenance bizarrely altered to resemble the elder actor’s familiar face – Willis essentially plays both leading roles ... which isn’t the most enticing of setups if, like me, you generally find one Bruce Willis more than enough.


Read More About Time Warped: "Looper," "Pitch Perfect," "Won’T Back Down," And "House At The End Of The Street"...


Draining Wheels: "Premium Rush," "Hit & Run," and "2016: Obama's America"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-08-27 14:11:49

Joseph Gordon-Levitt and Michael Shannon in Premium RushPREMIUM RUSH

Anyone who’s ever wanted to perfect an imitation of Michael Shannon – fearless, ferocious, crazy-as-a-shithouse-rat Michael Shannon – is advised to catch the action thriller Premium Rush, because director David Koepp’s movie finds the familiar character actor doing a pretty spectacular imitation of himself.


Read More About Draining Wheels: "Premium Rush," "Hit & Run," And "2016: Obama's America"...


McCarthyism ... the Good Kind: "Win Win," "Fast Five," and "Hoodwinked Too! Hood Vs. Evil"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2011-05-02 13:33:21

Paul Giamatti and Alex Shaffer in Win WinWIN WIN

When I say that writer/director Tom McCarthy’s Win Win could easily serve as the inspiration for a long-running TV series, I don’t mean it in any way insultingly, partly because our current small-screen options are, in general, vastly superior to our big-screen ones. Mostly, though, it’s because this serious-minded comedy is so teeming with nuanced, empathetic characters and complicated yet wholly plausible situations and circumstances that you want to luxuriate in Win Win’s universe for far longer than the movie’s too-brief 100 minutes – like, for an hour a week over several seasons.


Read More About McCarthyism ... The Good Kind: "Win Win," "Fast Five," And "Hoodwinked Too! Hood Vs. Evil"...





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