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items tagged with QC Theatre Workshop

Exit, Pursued by a Bear Girl: The Prenzie Players Stage a Debuting Native American Drama, June 14 through 22 at the QC Theatre Workshop
Written By: Mike Schulz
Section: Theatre

Category: Feature Stories

2013-05-27 12:00:00

Beth Woolley in Bear GirlThe local theatre troupe the Prenzie Players is most commonly known for stylistically bold, occasionally gender-bending takes on classical dramas and comedies, principally the works of William Shakespeare. But the company is about to embark on a particularly challenging experiment with its forthcoming production of the debuting Bear Girl – and the play’s author, Prenzie co-founder J.C. Luxton, could hardly be accused of aiming too low.

“If you think of Shakespeare’s Henriad,” says Luxton, referencing the Bard’s historical trilogy of Richard II, Henry IV, and Henry V, “it’s kind of the epic of England. An epic story of who we are and how we came to be. And I think what I’m trying to do with Bear Girl is the beginnings of something similar for the Quad Cities area.”


Read More About Exit, Pursued By A Bear Girl: The Prenzie Players Stage A Debuting Native American Drama, June 14 Through 22 At The QC Theatre Workshop...


Apocalypse Now-ish: "boom," at the QC Theatre Workshop through May 18
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2013-05-06 12:00:00

Thomas Alan Taylor and Jessica Denney in boomWhile playwright Peter Sinn Nachtrieb’s boom is slyly hilarious, and the QC Theatre Workshop’s production of it laudable for so many reasons, there is one aspect of the performance that stands out in particular: Angela Elliott’s laugh.


Read More About Apocalypse Now-Ish: "Boom," At The QC Theatre Workshop Through May 18...


Palpable Pain: "Antigone," through March 30 at the Quad City Theatre Workshop
Written By: Jeff Ignatius
Section: Theatre

Category: Reviews

2013-03-28 15:33:23

Gini Atwell and Jake Walker. Photo by Tracy Skaggs.Before the production officially begins and without uttering a single word, Gini Atwell effectively sets the tone for the Prenzie Players’ Antigone. On Friday evening, during the ad-libbed pre-show that’s a staple of Prenzie productions, Atwell sat at the front of the stage, half-cradling her knees while wearing a far-off look in her eyes and a deep sadness on her face, as though lost in thought on woeful memories or circumstances.

Not long after the play begins, it’s made clear that Atwell’s expression is due to her character’s resignation to her own death. She is passionate during the course of the play – particularly as she attempts to garner her sister’s help in burying their brother (who lost his life in battle with their other brother for the throne of Thebes), and as she embraces her fiancé as if it’s the last time they’ll ever hold each other. But her ability to maintain the cheerlessness at the core of her Antigone is remarkable, creating a palpable pain that’s punctuated by her inevitable death.


Read More About Palpable Pain: "Antigone," Through March 30 At The Quad City Theatre Workshop...


Fools for Love: "Private Eyes," at the QC Theatre Workshop through February 3
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2013-01-21 12:00:00

Jessica Sheridan, Mike Schulz, and Thomas Alan Taylor in Private EyesWhat starts as a theatre audition quickly becomes something entirely different in the QC Theatre Workshop’s second production, Private Eyes. And this change from what’s real to what’s … well … something else is something I don’t want to fully describe, because such a shift happened several times – and at very unexpected moments – during Friday's performance, making the evening a bit of an intriguing thrill that repeatedly piqued my curiosity.


Read More About Fools For Love: "Private Eyes," At The QC Theatre Workshop Through February 3...


Critical Mass: Mike Schulz and Thom White Discuss Area Theatre in 2012
Written By: Mike Schulz
Section: Theatre

Category: Feature Stories

2012-12-31 12:00:00

Mitch Donahue, Alexander Robin Kass, Samantha Pauly, Kristin Gilbert, and Tristan Layne Tapscott in the Circa '21 Dinner Playhouse's Legally Blonde: The MusicalFor our third-annual conversation on the Year in Theatre, Thom White – the Reader’s chief theatre reviewer – and I thought we’d shake things up a bit. So instead of meeting for an hours-long breakfast to discuss the area stage scene, we met for an hours-long dinner to discuss the area stage scene.

And while I managed to keep things lively by spilling a completely full glass of water not 10 minutes after sitting down, we also managed to touch on many of the varied experiences that Thom (occasionally accompanied by his partner’s daughter Madison) and/or I had during another eventful year for fans of the theatre. Pack a lunch, sit back, and dive in ... .


Read More About Critical Mass: Mike Schulz And Thom White Discuss Area Theatre In 2012...





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