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items tagged with QC Theatre Workshop

Battle Cry: "A Green River," at the QC Theatre Workshop through July 16
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2013-07-08 12:00:00

Thomas Alan Taylor in A Green RiverPlaywright Aaron Randolph III has, so far as I know, effectively captured the mental workings of a soldier suffering from post-traumatic stress disorder in his new drama A Green River. A representation of the chaotic, haunting thoughts likely experienced by some soldiers with PTSD, his play takes us through the memories of a single soldier – from childhood to falling in love to combat to his return home – while the young man revisits his favorite quiet place along a river. And as if the proceedings in Randolph’s story weren’t enough, he also includes a stunningly moving finale that packs such an emotional punch that I'd be surprised if most, if not all, of Saturday’s audience members for the QC Theatre Workshop production aren’t still reeling from it.


Read More About Battle Cry: "A Green River," At The QC Theatre Workshop Through July 16...


Grin and "Bear" It: "Bear Girl," at the QC Theatre Workshop through June 22
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2013-06-17 12:00:00

Beth Woolley in Bear GirlPlaywright J.C. Luxton’s writing has a beautiful eloquence about it, with poetic word choices and graceful rhythms in his verse. And while I did not understand all of the finer details in the Prenzie Players' Friday-night production of Luxton’s Bear Girl – due solely to my own shortcomings when it comes to dialogue delivered in verse – the themes and main plot points were clearly told, and also, thanks to director Cait Bodenbender’s treatment of the material, interesting, entertaining, and educational.


Read More About Grin And "Bear" It: "Bear Girl," At The QC Theatre Workshop Through June 22...


Exit, Pursued by a Bear Girl: The Prenzie Players Stage a Debuting Native American Drama, June 14 through 22 at the QC Theatre Workshop
Written By: Mike Schulz
Section: Theatre

Category: Feature Stories

2013-05-27 12:00:00

Beth Woolley in Bear GirlThe local theatre troupe the Prenzie Players is most commonly known for stylistically bold, occasionally gender-bending takes on classical dramas and comedies, principally the works of William Shakespeare. But the company is about to embark on a particularly challenging experiment with its forthcoming production of the debuting Bear Girl – and the play’s author, Prenzie co-founder J.C. Luxton, could hardly be accused of aiming too low.

“If you think of Shakespeare’s Henriad,” says Luxton, referencing the Bard’s historical trilogy of Richard II, Henry IV, and Henry V, “it’s kind of the epic of England. An epic story of who we are and how we came to be. And I think what I’m trying to do with Bear Girl is the beginnings of something similar for the Quad Cities area.”


Read More About Exit, Pursued By A Bear Girl: The Prenzie Players Stage A Debuting Native American Drama, June 14 Through 22 At The QC Theatre Workshop...


Apocalypse Now-ish: "boom," at the QC Theatre Workshop through May 18
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2013-05-06 12:00:00

Thomas Alan Taylor and Jessica Denney in boomWhile playwright Peter Sinn Nachtrieb’s boom is slyly hilarious, and the QC Theatre Workshop’s production of it laudable for so many reasons, there is one aspect of the performance that stands out in particular: Angela Elliott’s laugh.


Read More About Apocalypse Now-Ish: "Boom," At The QC Theatre Workshop Through May 18...


Palpable Pain: "Antigone," through March 30 at the Quad City Theatre Workshop
Written By: Jeff Ignatius
Section: Theatre

Category: Reviews

2013-03-28 15:33:23

Gini Atwell and Jake Walker. Photo by Tracy Skaggs.Before the production officially begins and without uttering a single word, Gini Atwell effectively sets the tone for the Prenzie Players’ Antigone. On Friday evening, during the ad-libbed pre-show that’s a staple of Prenzie productions, Atwell sat at the front of the stage, half-cradling her knees while wearing a far-off look in her eyes and a deep sadness on her face, as though lost in thought on woeful memories or circumstances.

Not long after the play begins, it’s made clear that Atwell’s expression is due to her character’s resignation to her own death. She is passionate during the course of the play – particularly as she attempts to garner her sister’s help in burying their brother (who lost his life in battle with their other brother for the throne of Thebes), and as she embraces her fiancé as if it’s the last time they’ll ever hold each other. But her ability to maintain the cheerlessness at the core of her Antigone is remarkable, creating a palpable pain that’s punctuated by her inevitable death.


Read More About Palpable Pain: "Antigone," Through March 30 At The Quad City Theatre Workshop...





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