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items tagged with Quad City International Airport

Timeless Treatments: Three Artists at the Quad City Airport Gallery Through June
Written By: Jeff Ignatius
Section: Art

Category: Reviews

2014-06-05 15:13:41

Works by Matt Moyer. Photo by Meghan McLaughlin

Recently at the Quad City International Airport art gallery, two travelers were bluntly musing about twisting sculptures cantilevered off the display wall. “Normally, this would be considered a pile of crap,” one said.

I was taken aback and then chuckled at the comment. The sculptures of Matt Moyer, at first glance, do resemble aged industrial plumbing.

'Filtered Servo Appurtenance' by Matt MoyerBut closer inspection reveals something more. The airport visitors discussed the subtleties of these sculptures, discovering how the surface colorations simulate wear but are a bit too unblemished to be in a state of disintegration. The mechanical arabesques tease our eyes and raise questions about reactions to old objects.

Moyer’s pieces are the attention-grabbers in the three-person Quad City Arts show running through June. In addition to the work of Moyer (from Columbia, Missouri) are mixed-media assemblages by Wayne Bertola (of Chicago) and photography by Marvin Thompson (of Clinton, Iowa). While their work is very different, all three artists explore the effects of time.


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A Visual Menagerie: Diane Naylor, Louise Rauh, and Elizabeth Shriver, through April 30 at the Quad City International Airport
Written By: Jeff Ignatius
Section: Art

Category: Reviews

2012-04-05 14:18:50

Works by Elizabeth Shriver and Diane Naylor

The phrase “the elephant in the room” is a metaphor for the obvious things we choose to ignore. In The Great White Elephant, Diane Naylor treats those words literally to explore our often contradictory, yet rarely acknowledged, relationship with the animal kingdom. Naylor’s work presents our simultaneous tendency to idealize and dominate nature.

The painting is part of the current show – featuring 57 pieces by three local artists and running through April – at the Quad City Arts gallery inside the Quad City International Airport. Naylor’s work is narrative and analytical, which creates a well-rounded exhibit when combined with the art of Elizabeth Shriver and Louise Rauh, who address nature with a focus on form rather than concept.


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Modern Relics: Steve Banks and Aaron Tinder, Through August at the Quad City International Airport
Written By: Jeff Ignatius
Section: Art

Category: Reviews

2011-07-19 15:01:50

The carpeting of debris under a Steve Banks sculptureLittering the bottoms of the display cases at the gallery inside the Quad City International Airport is a landfill-like carpeting – a mat of apparent cultural detritus under Steve Banks’ sculptures. It initially appears ancient, like scattered pottery shards, but a closer inspection reveals pizza slices, pie crusts, bullets, masks, and chunks of carvings, all out of earthenware clay.

We see this fascination with objects across this exhibit, among the work of both Banks and mixed-media artist Aaron Tinder. The Quad City Arts show – running through August – consists of three large sculptures and four mixed-media canvases by Banks, and eight mixed-media works on paper by Tinder. Their use of familiar objects makes this exhibit accessible, but their mysterious and metaphorical treatment provides depth.


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More Than a Method: The Quad Cities Wood Turners Club and Jeff Stevenson, Through December at the Quad City International Airport
Written By: Jeff Ignatius
Section: Art

Category: Reviews

2010-11-22 11:02:48

David Johnson, 'Missing Pieces #7'David Johnson’s vase is missing large chunks.

In the current Quad City Arts exhibit at the Quad City International Airport, the vase Missing Pieces #7 is symmetrical but for the voids that appear to have formed naturally through the growth and decay of its wood. Their jagged, random edges echo the blotchy rings of the wood grain, yet Johnson has varnished the entire surface, making it seem at once broken and new. The vase is not suitable for its ostensible purpose and seems to question the relationships between craft, aesthetics, and functionality. It’s a striking use of the medium of wood.

The show, running through December, features two bodies of work: selections from the Quad Cities Wood Turners Club and mixed-media works by Jeff Stevenson. While the wood turners employ a relatively restrictive technique – modified wood in a functional context – Stevenson uses a massive range of media, from magazines to encaustic. The two components of the exhibit are different, but they both transcend the limitations of their methods: The best of the wood works (such as Johnson’s vase) have visual and technical depth, and Stevenson’s strongest pieces gel thematically and visually even as the variety of materials threatens chaos.


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