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items tagged with Quad City Symphony Orchestra

Unparalleled (but Unsustainable) Brilliance: The Quad City Symphony, October 4 at the Adler Theatre
Written By: Jeff Ignatius
Section: Music

Category: Feature Stories

2014-10-10 21:35:01

The Quad City Symphony had to contend with a last-minute change in soloists – and the piece he was playing – for the opening Masterworks concert of its 100th season. But the orchestra on October 4 dug deep to unearth world-class playing to match legendary pianist André Watts – and in the process seemed to exhaust itself. With a popular symphony and the world premiere of a commissioned piece in addition to a piano concerto with Watts, the intensity and high artistic level of playing were exhilarating to hear, but the orchestra didn’t sustain them in the second half of the program.


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A Dream Season: The Quad City Symphony Smartly Marks Its Centennial
Written By: Jeff Ignatius
Section: Music

Category: Feature Stories

2014-09-30 17:19:27

Mark Russell Smith

Looking despondent, the young conductor was comforted by his mentor. “Think of it this way, my son,” the old maestro began. “If everyone was equally dissatisfied with your repertoire, at least you gave them a balanced season.”

It’s an old joke, but it sarcastically underscores the futility of finding music that will satisfy everyone.

But, in the Quad City Symphony’s 100th season, Music Director and Conductor Mark Russell Smith has fashioned a carefully considered, diversely adventuresome musical celebration that includes a balanced sampling of masterpieces, premieres of six new commissioned works, and guest soloists ranging from world-class recording artists to members of the orchestra.

It’s a dream season that lies ahead, but it’s been an evolutionary process for Smith to get there.


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Managing Mahler Magnificently: The Quad City Symphony, April 5 at the Adler Theatre
Written By: Jeff Ignatius
Section: Music

Category: Feature Stories

2014-04-11 15:32:13

From an Adler Theatre stage filled with more than 200 musicians, the Quad City Symphony forcefully premiered Gustav Mahler’s monumental Symphony No. 3 on April 5. Moving from the dissonance of uncertainty to the transcendental climatic moments of harmonic resolution, the concert was abundant in gravitas, contrasts, and drama that revealed a thorough artistic vision from Music Director and Conductor Mark Russell Smith and included a valuable collaborative process with other area musical organizations.


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A Fine “Line” Over Rough Spots: The QC Symphony, March 8 at the Adler Theatre
Written By: Jeff Ignatius
Section: Music

Category: Feature Stories

2014-03-18 14:04:14

The Quad City Symphony’s March 8 concert featured symphonies from a pair of big names, but the shortest piece on the program – the world premiere of local composer Jacob Bancks’ Rock Island Line – stole the show.

The broad, moving lyricism of Brahms’ Symphony No. 2 illustrated what the orchestra does well, while Beethoven’s Symphony No. 8 revealed the Quad City Symphony’s continuing struggle with rhythmic precision.

Yet they were eclipsed by the triumphant debut that opened the concert. Rock Island Line was the highlight of the evening at the Adler Theatre – an energized, complex, and entertaining performance that brought Bancks’ vivid piece to life in ways I wasn’t expecting.


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From Dead Ends to a Destination: The Evolution of Jacob Bancks’ “Rock Island Line,” Premiering March 8 and 9 with the Quad City Symphony
Written By: Jeff Ignatius
Section: Music

Category: Feature Stories

2014-02-20 11:23:18

Jacob Bancks. Photo by Joshua Ford (JoshuaFord.com).

The blast of a train whistle has been transformed in the hands of composer Jacob Bancks – a shrill warning becoming the musical core of a composition that he intends as a greeting to his new community.

Using a “whistle chord” as musical glue and localism as an overriding theme, Bancks combined elements of the Mississippi River and the railroad in a way that is artful, rigorous, and sophisticated. But in creating Rock Island Line – which the Quad City Symphony Orchestra will debut on March 8 and 9 – he also incorporated nods to a local jazz legend and a popular song, playful components that help the work breathe and reach out to the audience.

Yet moving from ideas to a finished composition was not a straight line for the Quad Cities-based composer (who turns 32 on February 21). The effort included derailment and dead ends before finding workable inspiration toward an ultimate destination.

In earlier commissioned works, Bancks tried to find musical and non-musical connections to the organization and community for which he was writing. But this time the commissioning agent was the orchestra where he lives, and Bancks was particularly sensitive about the audience and community for whom this premiere would be presented. “These images and how they work with each other are very important to me, because this is my first piece in my new home and new community where I hope to remain,” he said in August, in his first interview with the River Cities’ Reader. “So, for me, through this piece, I will meet musical people I hope to meet again. And ... this would be a good way to introduce myself to a community I hope to be a part of.”


Read More About From Dead Ends To A Destination: The Evolution Of Jacob Bancks’ “Rock Island Line,” Premiering March 8 And 9 With The Quad City Symphony...





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