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items tagged with Quentin Tarantino

Quentin Unchained: "The Hateful Eight"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2016-01-03 01:38:03

Kurt Russell and Samuel L. Jackson in The Hateful EightTHE HATEUL EIGHT

Its opening credits remind us that the vengeance-minded Western The Hateful Eight is “the 8th film by Quentin Tarantino.” That’s actually helpful. Because by the time the closing credits roll some two-and-three-quarter-hours later (the movie’s 70-millimeter “roadshow” version lasting some 20 minutes more), you’d swear it was at least the 28th film by Quentin Tarantino. I admire the man’s output to no end, and five of his seven previous features are firmly entrenched amidst my 10 favorites for their particular years. But despite its flashes of brilliance, I found myself as annoyed with The Hateful Eight as I was with 2012’s Django Unchained, and for much the same reason: Its auteur, by now, appears so immersed in the act of loving Quentin Tarantino that he leaves almost no room for us to love him, or his films, back.
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Driving Miss Dizzy: "The Intern," "The Green Inferno," and "Hotel Transylvania 2"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2015-09-27 20:33:55

Robert De Niro and Anne Hathaway in The InternTHE INTERN

Older audiences deserve comforting, pandering crap as much as everyone else, so I probably shouldn’t be too hard on The Intern, especially because, with Nora Ephron’s passing, writer/director Nancy Meyers is pretty much carrying the torch for Hollywood’s all-too-rare female-centric dramedies detailing the personal costs of Having It All. But I’m going to be hard on it anyway, given that Meyers’ mildly insulting sitcoms about strong, successful career women who are only truly fulfilled after Finding the Right Man are usually buoyed by ace performances (Something’s Gotta Give’s Diane Kaeaton and Jack Nicholson; It’s Complicated’s Meryl Streep, Alec Baldwin, and Steve Martin), and this film just doesn’t have ’em.
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Slumberless Party: "The Overnight" and "The Wolfpack"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2015-07-08 19:15:46

Adam Scott and Taylor Schilling in The OvernightTHE OVERNIGHT

Even with a goatee, Adam Scott has such a sweet baby face, and can exude such endearing boyishness, that when you see him in an early playground scene in his latest film, you’re half-surprised that a more towering adult isn’t pushing him on a swing. Yet longtime fans know that Scott also possesses a canny understanding of how to employ his naturally guileless countenance for tension (as in the 2002 thriller High Crimes) or melancholy (HBO’s sadly ignored Tell Me You Love Me) or acerbic wit (Party Down, Parks & Recreation, and numerous et ceteras). And that chameleon-ic talent makes him perhaps perfectly cast in the new comedy The Overnight, writer/director Patrick Brice’s three-quarters-successful chronicling of an alternately invigorating and deeply uncomfortable grown-up sleepover.


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And Here's to You, Mr. Robinson: "42" and "Scary Movie 5"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2013-04-13 20:58:35

Harrison Ford and Chadwick Boseman in 4242

42, writer/director Brian Helgeland’s dramatization of three years in the life of baseball trailblazer Jackie Robsinson, is an earnest, deliberately old-fashioned entertainment, an inspirational bio-pic made with professionalism and care but little in the way of emotional or thematic nuance – it’s the very definition of what-you-see-is-what-you-get filmmaking. In three specific scenes, though, this seemingly prototypical triumph-of-the-underdog sports flick also achieves a legitimate, rousing greatness, and it’s the sort of expansive and lingering greatness that makes you leave the picture feeling, with few reservations, that the movie as a whole was truly great.


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Gold Men Sunset: Notes on the 2013 Academy Awards Telecast
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2013-02-25 20:33:40

Best Actor Daniel Day-LewisSeth MacFarlane, I thought, did a fine job hosting the 85th Academy Awards ceremony. He turned out to be a fine choice for the frequently thankless Oscar-emcee position, tossing in some fine jokes in between the generally fine production numbers and mostly fine acceptance speeches ... .

I’m sorry, but I am alone in thinking that last night’s telecast, in the end, was just a little too “fine”?


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