Suscribe to Weekly RiverCitiesReader.com Updates
* indicates required

View previous campaigns.

items tagged with Quentin Tarantino

The Weak in Review: "Changeling," "RocknRolla," "Zack & Miri," and "The Haunting of Molly Hartley"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2008-11-05 08:29:31

Angelina Jolie in ChangelingCHANGELING

Clint Eastwood's Changeling finds John Malkovich giving a thoughtful, restrained performance as a righteous pastor, and Michael Kelly giving an exceptional one as a dogged detective. Oh, and the period design for the film's 1928 Los Angeles setting is quite good. Having gotten that out of the way, the rest of the movie is so awful - so maddeningly phony and contrived - that I wanted to hurl things at the screen.


Read More About The Weak In Review: "Changeling," "RocknRolla," "Zack & Miri," And "The Haunting Of Molly Hartley"...


It’s Not Easy Buying Green: "Pineapple Express" and "Sisterhood of the Traveling Pants 2"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2008-08-13 08:43:05

Seth Rogen and James Franco in Pineapple ExpressPINEAPPLE EXPRESS

As the happily zonked, pot-dealing Saul in Pineapple Express - written by Superbad screenwriters Seth Rogen (who also stars) and Evan Goldberg - James Franco is wonderfully unpredictable. The actor has flashed the occasional grin in previous film roles, but his uncanny resemblance to James Dean finds him so often used for brooding melancholy, most notably in the Spider-Man films, that his emergence as an inventive and quick-witted comedian in this stoner-buddy action farce is cause for celebration. Or rather, it would be, if Franco had a better movie in which to display his gifts.


Read More About It’S Not Easy Buying Green: "Pineapple Express" And "Sisterhood Of The Traveling Pants 2"...


Bad Boys, Too: "Hot Fuzz," "Fracture," and "Perfect Stranger"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2007-04-25 08:10:30

Simon Pegg and Nick Frost in Hot FuzzHOT FUZZ

Not that many of you have seen them, but in between Rodriguez's and Tarantino's Grindhouse offerings, there are faux "coming attractions" for forthcoming trash flicks, one of which is directed by Edgar Wright. The trailer in question is for a slasher film called Don't, and in about 90 seconds of screen time, Wright - director/co-writer of the peerless zombie comedy Shaun of the Dead and the new action spoof Hot Fuzz - manages to lampoon (and celebrate) just about every cliché in the horror-preview bible: the insidiously throaty voice-over announcer; the shock edits, punctuated by screams; the sudden bursts of outré violence. It's a brilliant, savage parody, yet the trailer's ultimate joke is that it's legitimately effective; you find yourself actually wanting to see Don't. Wright tweaks genre previews and outdoes them in the same breath.


Read More About Bad Boys, Too: "Hot Fuzz," "Fracture," And "Perfect Stranger"...


Trash Art: "Grindhouse"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2007-04-11 08:08:59

Rose McGowan in GrindhouseGRINDHOUSE

Within a few months, the Robert Rodriguez/Quentin Tarantino double-bill that composes Grindhouse - a three-hour paean to the joys of '70s schlock cinema - will have permanently ensconced itself on my DVD shelf, readily available for endless repeat viewing and analysis. But it's inconceivable that I'll ever again find the movie(s) as exhilarating as I did on my first viewing at the cineplex; not because the element of surprise will be missing, but because it's unlikely that any of my living-room screenings will find dozens of total strangers in attendance, and this movie demands to be seen with as large a crowd as possible. It will be thrilling to one day watch Grindhouse on DVD. It will also be almost completely pointless.


Read More About Trash Art: "Grindhouse"...


A Lighter Shade of Noir: “The Black Dahlia,” “Gridiron Gang,” “The Last Kiss,” and “The Protector”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2006-09-20 04:34:58

Aaron Eckhart and Josh Hartnett in The Black DahliaTHE BLACK DAHLIA

The opening sequence of Brian De Palma's L.A. noir The Black Dahlia is so busily choreographed that, at first, you think it has to be some sort of put-on. A melee involving a street full of cops and sailors in downtown Los Angeles circa 1946, the balletic, slow-motion punching and flailing is orchestrated within an inch of its life; nothing about it seems real, but it's so dazzlingly executed that you hardly care. But with Josh Hartnett's ersatz tough-guy narration droning away, it quickly becomes clear that the scene isn't meant to be funny. It isn't comedy that De Palma's going after here but stylization, and as The Black Dahlia progresses, it's obvious that the director doesn't have the cast or screenwriter required to give his baroque touches a context. A few nastily enjoyable moments aside, the film is dour, dull, and confusing, enlivened only by a few zesty supporting portrayals and whatever directorial wit De Palma can bring to it.


Read More About A Lighter Shade Of Noir: “The Black Dahlia,” “Gridiron Gang,” “The Last Kiss,” And “The Protector”...





There are 26 items tagged with Quentin Tarantino. You can view all our tags in the Tag Cloud