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items tagged with Renee Zellweger

"Rabbit-Proof Fence" the Best of a Sorry Crop: Also, "Bringing Down the House," "Tears of the Sun," "Willard," "Cradle 2 the Grave," and 2003 Oscar Predictions
Written By: Mike Schulz
Section: Movies

Category: Reviews

2003-03-19 00:00:00

Steve Martin, Queen Latifah, and Eugene Levy in Bringing Down the HouseBRINGING DOWN THE HOUSE

Since she executive-produced the film, I shouldn’t feel too badly for Queen Latifah in Bringing Down the House; she obviously knew what she was getting into.


Read More About "Rabbit-Proof Fence" The Best Of A Sorry Crop: Also, "Bringing Down The House," "Tears Of The Sun," "Willard," "Cradle 2 The Grave," And 2003 Oscar Predictions...


For Your Consideration: "Chicago," "About Schmidt," "Catch Me If You Can," "The Wild Thornberrys Movie," and "Pinocchio"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2003-01-08 00:00:00

Catherine Zeta-Jones in ChicagoCHICAGO

Rob Marshall’s film version of the Broadway smash Chicago is so ingeniously staged, so electric, and so welcome to so many of us – The Musical Is Back! – that you might find yourself somewhat heartbroken when you barely remember a thing about the film a day after seeing it.


Read More About For Your Consideration: "Chicago," "About Schmidt," "Catch Me If You Can," "The Wild Thornberrys Movie," And "Pinocchio"...


Playing with a Different Set of "Rules": "The Rules of Attraction," "White Oleander," and "Knockaround Guys"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2002-10-16 00:00:00

Ian Somerhalder in The Rules of AttractionTHE RULES OF ATTRACTION

Roger Avary’s The Rules of Attraction, based on yet another Bret Easton Ellis (Less Than Zero, American Psycho) novel about soulless, loathsome yuppie scumbags of the ’80s, is vile, venal, and sometimes shockingly distasteful. I loved it.


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Zellweger Shines (Again) in “Diary”: “Bridget Jones’s Diary,” “Blow,” and “Josie & the Pussycats”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-04-18 12:00:00

Renee Zellweger in Bridges Jones's DiaryBRIDGET JONES'S DIARY

A terrific leading character can atone for a lot of wrongs in a film, and there might be no better proof of that thesis than Bridget Jones's Diary, Sharon Maguire's adaptation of Helen Fielding's incredibly popular novel. Our heroine, a 32-year-old British woman who works a dead-end publishing job, is a completely realistic type we almost never see in movies: a chain-smoking, wine-slurping, slightly overweight, unsatisfied-in-relationships flirt who wants desperately to better herself but doesn't have the motivation or discipline to do so. Flawed as she is, she's intensely endearing, and as perfectly played by Renée Zellweger, she's a magically comic creation, even more wonderful than Zellweger's previous incarnations of Dorothy Boyd and Nurse Betty. That the moviemakers spend the film's running length putting her in one humiliating situation after another, and that she's trapped in a predictable love triangle between a cad and a sweetie, aren't to be held against her; Bridget Jones, and Zellweger herself, triumph over their circumstances, creating a totally enjoyable cinematic work, flaws and all.


Read More About Zellweger Shines (Again) In “Diary”: “Bridget Jones’S Diary,” “Blow,” And “Josie & The Pussycats”...


In Praise of Renee Zellweger: "Nurse Betty"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2000-09-14 00:00:00

Renee Zellweger in Nurse BettyNURSE BETTY

It’s one of the iconic movie moments of the ’90s: Renee Zellweger, as Dorothy Boyd, responding to husband Jerry Maguire’s declaration of love with a throaty “You had me at hello.” It was at that point that audiences everywhere lost it, not just because of the perfection of the line itself, but because Zellweger delivered it with such vulnerability and delicacy that it was emotionally overwhelming; you not only wanted to reach out to her, you wanted to hug her and not let go.


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