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items tagged with RIBCO

Drawing Hope from a Shot in the Dark: A Benefit for Rob Cimmarusti, January 11 at RIBCO
Written By: Jeff Ignatius
Section: Music

Category: Feature Stories

2013-01-03 19:25:11

Rob Cimmarusti working on an audio-equipment installation at Progressive Baptist Church in Davenport on January 4, 2013.

Rob Cimmarusti calls it a “malady” – a gentle label for the cancer he’s been told will kill him in the next few months.

But that term is a fair reflection of the attitude the longtime Quad Cities musician, producer, and sound engineer has about the adenocarcinoma that began in his pancreas and has since popped up in the fatty tissue near his abdominal wall. He received his initial cancer diagnosis on February 1 (his 53rd birthday) and has been through chemotherapy, radiation treatments, and surgeries. In an interview last week, he compared the present state of his tumors to a “shotgun blast”; there are too many of them to target with additional surgery or radiation, and because they’re in tissues that get relatively little blood, they don’t respond well to chemo.

Cimmarusti conceded that his situation is “not good, not hopeful.” A few months ago, he said, a doctor in Iowa City told him: “Get your affairs in order. It’s going to be a matter of months.” His response was to fight: “We’re like, ‘Well, we’re not going to take that.’”


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The Stooges Cut with Joy Division: The Swayback, October 13 at RIBCO
Written By: Jeff Ignatius
Section: Music

Category: Feature Stories

2012-09-28 11:44:54

The Swayback

There’s something strange about the Colorado-based band The Swayback.

It’s not that the quartet – which will perform at RIBCO on October 13 – does anything particularly unusual or fresh with its music. It’s that with a basic guitar, bass, drum, and vocal foundation and accessible songs, the band has a clear, distinctive, and authoritative voice. Through conviction, chops, and polish, the Swayback enlivens modern-, classic-, and hard-rock formulas – and influences and references – without really altering them. It’s workmanlike in the best sense.


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An Act Built for Misery: Comedian Doug Stanhope Performs His Lacerating Stand-Up at RIBCO on September 28
Written By: Mike Schulz
Section: News/Features

Category: Comedy

2012-09-14 12:00:00

Doug Stanhope

(Author's warning: You know that label that gets slapped on certain CDs boasting raunchy language? The one that reads "Parental Advisory: Explicit Content"? Please imagine that label getting slapped on this interview, too.)

 

If you read the praise bestowed on him by critics and contemporaries in Great Britain, you might imagine that Doug Stanhope is less a stand-up comedian than a stand-up deity.

The UK’s daily newspaper the Guardian, for example, had this to say: “Stanhope shocks you with the virulence of his lucidity; he shocks you into realizing how transparent the confidence trick of Western propaganda can be made to seem. What he has in abundance is the charm, don’t-give-a-damn swagger, and aggressive intelligence that make for important, exciting comedy.”

Iconic British comedian Ricky Gervais, meanwhile, offered this tweet to the world: “Doug Stanhope might be the most important stand-up working today.”

So how does the American Stanhope, who makes frequent tour stops in England and Scotland, feel about spending time abroad?

“I hate it,” says the 45-year-old comedian during a recent phone interview. “It’s not good at all. I mean, I have a great fan base over there, but I just hate the day-to-day of being there. It’s so ... depressing. Like, I get seriously depressed, and I don’t want to do comedy ever again, anywhere.


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Setting the Scene: “Hello Quad Cities – Volume 1”
Written By: Jeff Ignatius
Section: Music

Category: Feature Stories

2012-08-29 14:34:23

The first thing to stress about Hello Quad Cities – Volume 1 is that as compilations go, it’s strong from front to back and varied without feeling scattershot. The challenging format tends to result in well-intentioned hodgepodges of second-rate leftovers, but the tracks here – from 12 area bands – are all exclusive, and most were written specifically for the compilation. More importantly, while you might not find all of them to your liking, there isn’t a weak link.

The second thing to emphasize is that if you’re curious about the project, you shouldn’t dawdle. The release is available only on vinyl, and a mere 350 copies were pressed. (Each album includes a download code, but there will be no separate digital or CD release.) And they’ll only be sold at a pair of record-release shows, by the featured bands, and at Ragged Records.


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Poised to Conquer: JEFF the Brotherhood, July 27 at RIBCO
Written By: Jeff Ignatius
Section: Music

Category: Feature Stories

2012-07-18 15:05:43

Triple Play

Over the course of a week, from July 21 to July 27, RIBCO will offer an impressive array of acts: half of The Sea & Cake on Saturday, the national-pastime-themed supergroup The Baseball Project on Thursday, and the up-and-coming garage-rock duo JEFF the Brotherhood on Friday.

An interview with The Sea & Cake’s Sam Prekop can be found here, and an interview with JEFF the Brotherhood’s Jake Orrall is below.

The Baseball Project. Photo by Michael E. Anderson.We interviewed The Baseball Project’s Scott McCaughey last year, and that article can be found at RCReader.com/y/baseballproject. In addition to McCaughey – known for the Young Fresh Fellows and the Minus 5 – the band includes Steve Wynn (of Dream Syndicate and Gutterball), Peter Buck (of R.E.M.), and Linda Pitmon (who has regularly worked with Wynn).

As we wrote last year, songwriters McCaughey and Wynn help the band transcend gimmickry: “The songs don’t settle for easy recitations of historical highlights. Some are pure celebrations – such as the punky ‘Ichiro Goes to the Moon’ – that exude a love of the game through their understanding of it. But most of the songs are more complicated.”

More information and tickets for all these concerts are available at RIBCO.com.


JEFF the Brotherhood. Photo by Jo McCaughey.

Jake Orrall said that major labels these days wouldn’t put out something like Hypnotic Nights, the just-released album from JEFF the Brotherhood.

They might have in 1994, he said in a phone interview last week, in advance of his band’s July 27 show at RIBCO. And if that seems an odd date to choose, consider that was the year DGC released Weezer’s self-titled debut, popularly known as the Blue Album.

You’ll have no difficulty making the stylistic link between the two records, both packed with candied rock hooks, punkish drive, infectious melodies, and gleefully arrested development. As Stereogum casually put it: “Whenever people say to me, ‘Man, I miss Blue Album-era Weezer,’ I reply, ‘Then why the hell aren’t you listening to JEFF The Brotherhood already?’” To which the A.V. Club added (discussing JEFF’s 2011 album): “They’ve sidestepped Rivers Cuomo and created the album he’s no longer interested in making.”

The irony is that Hypnotic Nights was released by Warner Bros.


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