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items tagged with RIBCO

Perfect Palette: MathGames, November 27 at RIBCO
Written By: Jeff Ignatius
Section: Music

Category: Feature Stories

2010-11-20 16:54:41

Fareed Haque

The Moog guitar looks like a standard electric guitar.

But Fareed Haque knows from unpleasant experience that its innards are anything but standard.

“There’s an incredible amount of technology inside that instrument,” Haque said in a phone interview last week. “I was flying with the instrument, and ... I feel that airline security ... looked at my name – Fareed Haque – and looked at the guitar.” He paused here, letting the implication settle. “I don’t know they took it apart, but I know that when I got it, it wasn’t all put back together. Which presented great difficulties for our performance that evening. It looked okay, and I sat down to play it, and all the guts just kind of fell out on stage.”

He related this story with good humor, in part because it’s understandable that transportation-security officials would be suspicious of the outwardly benign guitar with the unusual stuff inside.

Haque will be demonstrating that inner weirdness of the Moog guitar on November 27 at RIBCO, when he performs with his new trio MathGames, which also features drummer Greg Fundis and bassist Alex Austin.


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Piecing Together the Puzzle: High on Fire, October 8 at RIBCO
Written By: Jeff Ignatius
Section: Music

Category: Feature Stories

2010-09-30 15:21:08

High on Fire. Photo by Travis Shinn.In 2007, Rolling Stone named Matt Pike one of its “new guitar gods,” and the High on Fire frontman is notable for being among the two or three least-known people on a list that included John Mayer and members of the Red Hot Chili Peppers, Wilco, Tool, Pearl Jam, Rage Against the Machine, and Radiohead.

Pike is certainly a luminary in the world of metal – both the heavy and the stoner varieties with which he’s associated – but he’d probably prefer to keep his appeal selective. High on Fire – performing at RIBCO on October 8 with Kylesa and Torche – is for metal purists, fans of Metallica’s Master of Puppets who think that band has been pandering and floundering for the past two decades.

There’s none of that desperation for acceptance with High of Fire, partly a function of its method. The songs are less organic than constructed out of often-disparate parts, and therein lies the key to both the music’s appeal and difficulty.


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Ferocious Sensitivity: Kylesa, October 8 at RIBCO
Written By: Jeff Ignatius
Section: Music

Category: Feature Stories

2010-09-29 11:59:46

Kylesa. Photo by Geoff L. Johnson.In a genre that stresses heaviness, riffs, chops, and menace above all else, Georgia-based Kylesa is something of a rarity.

The five-piece psychedelic-metal band is most notable for its strong sense of melody and dynamics within undeniable heaviness, and that’s partly a function of having three vocalists (including a woman!) and two drummers. But Kylesa is greater than the sum of those parts, commanding a wider range of feelings and textures than most metal bands even attempt, let alone pull off. They caress listeners while still bludgeoning them, often at the same time and rarely straining.

Playing RIBCO on October 8 as part of the Sanctioned Annihilation Tour with High on Fire and Torche, Kylesa is poised to release the majestic, thunderous Spiral Shadow on October 26, and it might be my favorite metal album in years.


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It’s Complicated: El Ten Eleven, September 27 at RIBCO
Written By: Jeff Ignatius
Section: Music

Category: Feature Stories

2010-09-15 13:56:18

El Ten Eleven. Photo by Amanda Fogarty.It’s a sentiment that should come standard-issue with any virtuosity.

“I do have to check myself, because sometimes I can find myself doing overly complicated things, and I think, ‘Wait, am I doing this because it makes the song good or because I’m trying to show off?’” said Kristian Dunn in a recent phone interview. “It usually ends up being the latter, and it gets cut. You’ve got to be tough with yourself in this kind of situation.”

“This kind of situation” is pretty funny, because it’s unlikely that El Ten Eleven has much company in what it does. An instrumental duo featuring Dunn on guitars (often a double-neck) and drummer Tim Fogarty, the band makes extensive use of looping and effects pedals to build tunes that would seem to need three or more players. “Fat Gym Riot,” from 2008’s These Promises Are Being Videotaped, climaxes with thick bass and twin (or perhaps triplet) lead guitars.

But when El Ten Eleven returns to RIBCO on September 27, there will be just Fogarty and Dunn and the latter’s 13 pedals, trying to make the extraordinarily complicated seem like merely good music.


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The Playing-Live Basket: Cowboy Mouth, September 10 at RIBCO
Written By: Jeff Ignatius
Section: Music

Category: Feature Stories

2010-09-08 17:07:07

Cowboy Mouth's Fred LeBlancThe blurb that accompanies any write-up of the New Orleans-based rock band Cowboy Mouth comes from Cake magazine: “On a bad night they’ll tear the roof off the joint, and on a good night, they'll save your soul.”

For drummer, singer, and primary songwriter Fred LeBlanc, a great live show -- which will be on display at RIBCO on Friday -- is both natural and a necessity.

The band has been around for two decades now, with the constant core of LeBlanc and guitarist, singer, and songwriter John Thomas Griffith. By LeBlanc’s count, Cowboy Mouth has had 427 bassists and 1,628 guitar players.

“The crux of the band has always been me and John,” LeBlanc said in a recent interview. “John and I always had a chemistry, and we always built a band around that. We had all done stints in major labels before the band, and so it was: What do we have that they cannot steal from us? They can steal songs from us; they have. They can steal recordings from us; they have. But they can’t steal playing live. ... That’s how we built our reputation.”


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