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items tagged with RIBCO

Detours Aplenty: Forty Minute Detour, October 24 at RIBCO
Written By: Jeff Ignatius
Section: Music

Category: Feature Stories

2009-10-22 15:05:36

Forty Minute Detour

The most obvious touchstone for the local power trio Forty Minute Detour is Alice in Chains, which is odd when you consider some of the other things that get thrown into the stew.

Alice in Chains, after all, seemed like the most authentic grunge-metal group -- dark and dirty and, in the person of lead singer Layne Staley, living the nightmare of its songs.

Forty Minute Detour's In the Edges often invokes that dank blackness. Chad Clark's vocal performance and his big, flat, fuzzy guitar hook make "Nervous Breakdown" the Alice-iest cut on the album.

But it's rare on the record in not breaking from the formula. And you only need to look at the band photo from In the Edges to know that this is a little different: Bassist Josh Elmer, guitarist/vocalist Clark, and drummer Josh Morrissey are all smiling.

Read More About Detours Aplenty: Forty Minute Detour, October 24 At RIBCO...

Both Things: Old Canes, October 17 at RIBCO
Written By: Jeff Ignatius
Section: Music

Category: Feature Stories

2009-10-08 14:08:30

Christopher CrisciThe origin of the folk and rock (but not folk-rock) group Old Canes is a promoter who didn't accept "no."

Christopher Crisci was touring Europe with his band, Applessed Cast, in 2001. "The promoter for this tour that we were doing asked us if we wanted to do some in-store acoustic shows, and we told him 'no,'" Crisci said this week. The experimental band uses lots of effects and delay, and "it just doesn't translate that well acoustic."

That should have been the end, but the man was undaunted. "After one of the shows, he's like, 'Okay, now we're going to the store; we're going to do the acoustic show.' I was like, 'We don't do that, but I have some folk songs.'"

That show spurred singer/guitarist Crisci to record his folk songs, and Old Canes' Early Morning Hymns was released in 2004. The band's second album, Feral Harmonic, will be out three days after the group's October 17 performance at RIBCO, which also happens to be the Reader's 16th-birthday party.

Read More About Both Things: Old Canes, October 17 At RIBCO...

Unapologetic Garage Rock: The Blakes, October 17 at RIBCO
Written By: Jeff Ignatius
Section: Music

Category: Feature Stories

2009-10-08 13:43:11

The Blakes

When we talked two weeks ago, Garnet Keim of The Blakes was preparing to move from the Seattle home he'd rented for four years.

To where was he moving? "Into the van," he said.

So he was going to be homeless, in a manner of speaking? Keim sounded incredulous that I suggested such a thing. "You could say that," he said. "I have a nice van. I can just sleep in that van anytime."

The Blakes will be performing a show at RIBCO on Saturday, October 17, for this publication's 16th-birthday party, and the band's transient nature has been somewhat typical.

Read More About Unapologetic Garage Rock: The Blakes, October 17 At RIBCO...

Wilco’s "Gold"-en Boy: Pronto, September 18 at RIBCO
Written By: Jeff Ignatius
Section: Music

Category: Feature Stories

2009-09-16 20:01:03

ProntoListening to the debut album from Pronto, the quartet fronted by Wilco keyboardist Mikael Jorgensen, the inescapable reference point is the singer/songwriter genre from the 1970s -- warm, organic, a little hazy, and mostly ready for AM radio. One can't avoid, for instance, Randy Newman's influence on "What Do You Know About You?"

Jorgensen, in a recent phone interview promoting his band's September 18 show at RIBCO, sounded tired of the comparison -- "We didn't set out ... [to] make a record that everybody's going to say sounds like the '70s," he said -- but he didn't deny its accuracy.

All Is Golden is not all soft-focus AM-radio fare. "Monster" has the muscle of power pop, while "I Think So" belies Jorgensen's love of experimental music as it devolves into a coda of sax and electronics and noise. But even when the songs themselves don't fit the decade, there's still a pervasive vibe.

The surprise is that Jorgensen is a relatively recent convert, for a long time not being a fan of the era's musical giants -- Neil Young and the Rolling Stones, for example -- or even the premise that lyrics are a meaningful vehicle for musical expression. He and his collaborators on previous experimental, instrumental music projects dismissed lyrics as merely "a vehicle for the melody."

Read More About Wilco’S "Gold"-En Boy: Pronto, September 18 At RIBCO...

Working the Grooves: Karl Denson’s Tiny Universe, September 19 at RIBCO
Written By: Jeff Ignatius
Section: Music

Category: Feature Stories

2009-09-10 14:28:41

Karl DensonWhen saxophonist, flutist, composer, and singer Karl Denson discusses Brother's Keeper, the new record from Karl Denson's Tiny Universe, you could be forgiven for thinking he's talking about essays instead of songs.

After he finished the first drafts of the songs, he sent them to Tiny Universe keyboardist David Veith, who did what Denson called "revisions." Switchfoot's Jon Foreman also helped out with vocals and some melodies. "I wanted to get some depth as far as not having it just be my ideas," Denson said last week in a phone interview.

Three months of "revisions" resulted in the record being extraordinarily exact, particularly for the funk/soul genre, yet Brother's Keeper never sounds insular or overworked; the grooves not only survive but often sing.

"You think of writing songs as just sitting around the campfire, and everybody has an idea, or you have a great story you tell with a guitar," said Denson, whose six-piece band will perform at RIBCO on Saturday, September 19. But certain types of music -- to be done well -- require time and sweat. "The idea of more pop records or even a great classical piece -- there's always revision going on," he said. "The best way to do a record is to do it at least once and possibly twice before you actually record. That was the process with this record."

Read More About Working The Grooves: Karl Denson’S Tiny Universe, September 19 At RIBCO...

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