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items tagged with Richard Gere

RoboCrip: "Chappie," "The Second Best Exotic Marigold Hotel," and "Unfinished Business"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2015-03-08 21:05:28

Chappie

CHAPPIE

The sci-fi-action-comedy-thriller Chappie is the tale of an insentient creature who gains a soul and learns to love, just like Pinocchio and WALL•E and Short Circuit’s Number 5. But this is a film by Neill Blomkamp, the writer/director of the violence- and profanity-laden District 9 and Elysium, so don’t expect Disney-style warmth or Guttenberg-ian sweetness from this similarly R-rated outing. Instead, prepare to be amazed – though “stupefied” is the more appropriate term – by just how mawkish a movie can be despite boasting a title character who proves expert at carjacking, and whose most frequent malapropism involves his spirited twist on a 12-letter cuss word.
Read More About RoboCrip: "Chappie," "The Second Best Exotic Marigold Hotel," And "Unfinished Business"...


Fairly Stale Fairy Tale: "Mirror Mirror," "Jeff, Who Lives at Home," and "Wrath of the Titans"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-04-05 18:15:03

Julia Roberts and Lilly Collins in Mirror MirrorMIRROR MIRROR

Mirror Mirror is a slightly modernized, family-comedy version of the Snow White fairy tale, and offhand, I can think of few directors less suited to the material than this film’s Tarsem Singh, the music-video veteran whose big-screen credits include those wildly baroque (and decidedly adult) spectacles The Cell and Immortals. Yet every once in a while, when a director is spectacularly wrong for a project, the results can be much more interesting than if he were right for it, and that certainly seems the case here; this aimless, pointless little trifle is mostly a drag, but I can only imagine how deadening it might’ve been without Singh at the helm.


Read More About Fairly Stale Fairy Tale: "Mirror Mirror," "Jeff, Who Lives At Home," And "Wrath Of The Titans"...


It’s a Mad, Mad, Mad, Mad World: “Alice in Wonderland” and “Brooklyn’s Finest”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2010-03-07 22:11:07

Johnny Depp in Alice in WonderlandALICE IN WONDERLAND

Beginning with 2001's Planet of the Apes remake, Tim Burton has cast domestic partner Helena Bonham Carter in all six of his most recent feature films, and he's never made better use of her beguiling, somewhat perverse charisma than in his new take on Alice in Wonderland.
Read More About It’S A Mad, Mad, Mad, Mad World: “Alice In Wonderland” And “Brooklyn’S Finest”...


Pilot Lite: “Amelia,” “Saw VI,” “Law-Abiding Citizen,” and “Good Hair”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2009-10-25 21:39:21

Hilary Swank and Richard Gere in AmeliaAMELIA

As barrier-breaking aviatrix Amelia Earhart in director Mira Nair's Amelia, Hilary Swank is stylized yet approachable - exactly the kind of down-to-earth, pre-feminist spitfire that a squarely reverential bio-pic calls for. Her Katharine Hepburn cadences take some getting used to, but Swank charges through her scenes with natural authority and winning gumption, and when she smiles, the whole of Earhart's glorious aerial experiences seems to shine through her toothy grin. It's a lovely, sincere Earhart impression, and might've really been something if the actress wasn't being continually undermined by the direction, the script, the score, and most of her co-stars.


Read More About Pilot Lite: “Amelia,” “Saw VI,” “Law-Abiding Citizen,” And “Good Hair”...


Mike’s Online-Only Movie Reviews - 2008
Written By: Mike Schulz
Section: Movies

Category: Reviews

2008-05-01 11:06:16

The AlpsThe Alps (not rated) - The people have chosen, and the people chose good. Last fall's winner of the Putnam Museum's "Everyone's a Critic" series - which follows climber John Harlin's attempts to scale the north face of the Eiger mountain, where his father perished in 1966 - is such a breathtaking spectacle that watching it makes you a little dizzy; not from the Eiger's treacherous inclines and precipitous drops, which are (enjoyably) vertigo-inducing enough, but from the dazzling visual rush provided by director Steve Judson and his remarkable team of camera operators. Judson re-creates Harlin's ascent with jaw-dropping skill - you'll fight the urge to blurt out "How on earth did they film that?!" repeatedly during The Alps' 45-minute running length - and he and his crew photograph the Swiss mountain ranges with crystalline perfection; I'm not sure any movie has ever looked better in IMAX format. When the film turns to matters of geology and the historic make-up of the mountains, things get a little stodgy, but you're quickly returned to the awe-inspiring vistas, an unexpectedly touching human element courtesy of Harlin and his understandably worried wife and daughter, and, believe it or not, a series of marvelously employed Queen tunes that - in this format, at least - suggest what the elevator ride to heaven would sound like.


Read More About Mike’S Online-Only Movie Reviews - 2008...





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