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items tagged with Ridley Scott

Script, Performers Elevate "Stepford" Remake to Guilty Pleasure: "The Stepford Wives," "The Chronicles of Riddick," and "Garfield: The Movie"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2004-06-23 00:00:00

Matthew Broderick and Nicole Kidman in The Stepford WivesTHE STEPFORD WIVES

As crummy movies go, Frank Oz’s remake of The Stepford Wives is pretty darned terrific. The film has been plagued by rumors of trouble on the set and post-production nightmares and general confusion throughout, and you can practically see these turmoils on the screen; the movie is bizarrely assembled and terribly edited – characters’ motivations change from scene to scene with little rhyme or reason – and it all falls apart before your eyes. Oz doesn’t seem to have a clue how to treat the material, but one person does: screenwriter Paul Rudnick. He knows exactly what he’s up to – a bitchy, campy tale involving a group of nerdy men who enact revenge on the successful women they feel inferior to – and individual scenes in this Stepford Wives are so hilarious and dead-on smart that you wind up enjoying the movie despite being aware of how awful much of it is. Like last summer’s Rudnick-written Marci X, it’s a perfect example of a comedy in which individual set pieces far exceed the whole, and it can be blissfully enjoyed on its own underwhelming terms.


Read More About Script, Performers Elevate "Stepford" Remake To Guilty Pleasure: "The Stepford Wives," "The Chronicles Of Riddick," And "Garfield: The Movie"...


"Matchstick Men" Feels Like a Con: Also, "Once Upon a Time in Mexico," "Owning Mahowny," and "The Order"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2003-09-17 00:00:00

Nicolas Cage and Alison Lohman in Matchstick MenMATCHSTICK MEN

Ostensibly, Ridley Scott’s dramatic comedy Matchstick Men deals with Roy (Nicolas Cage), a professional con artist, connecting with Angela (Alison Lohman), the 14-year-old daughter he never knew he had, and trying to better himself as a father figure.


Read More About "Matchstick Men" Feels Like A Con: Also, "Once Upon A Time In Mexico," "Owning Mahowny," And "The Order"...


"Soldiers"’ Passion Is Its Strength: "We Were Soldiers," "40 Days & 40 Nights," and "Amelie"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2002-03-13 00:00:00

Chris Klein in We Were SoldiersWE WERE SOLDIERS

We Were Soldiers is, in many ways, the oddest war movie I’ve ever seen. It’s set during the Ia Drang battle of the Vietnam War, but it’s performed and directed with such resolute patriotism and heroism that it feels like a product of World War II, or rather, movies about World War II.


Read More About "Soldiers"’ Passion Is Its Strength: "We Were Soldiers," "40 Days & 40 Nights," And "Amelie"...


"Black Hawk Down" a Massive Misfire: Also, "Orange County"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2002-01-23 00:00:00

Black Hawk DownBLACK HAWK DOWN

It has been widely reported that Ridley Scott’s war drama Black Hawk Down, originally due later this year, had its release bumped up to qualify for year-end awards consideration and, in theory, serve as a balm for a country forever damaged by the tragic events of September 11. There’s no reason to refute this, and there might even be a kind of self-serving nobility in Columbia Studios’ decision, yet the film in question is a technically impressive atrocity, one that’s perhaps even more heinous in light of last fall’s terrorist attacks. Although based on true events and Mark Bowden’s well-regarded book, Black Hawk Down is jingoistic, dramatically inert, and sometimes shockingly racist; expect nominations and awards to follow.


Read More About "Black Hawk Down" A Massive Misfire: Also, "Orange County"...


"Hannibal" Stays True to Trash: Also, "Left Behind: The Movie"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-02-14 00:00:00

Anthony Hopkins and Julianne Moore in HannibalHANNIBAL

About halfway through Hannibal, the long-awaited sequel to The Silence of the Lambs, our good Dr. Lecter (Anthony Hopkins) is in mid-vivisection of his latest prey when the victim’s cell phone rings. On the other end is FBI agent Clarice Starling (Julianne Moore), who has called to give the soon-to-be-deceased warning about Lecter’s grislier instincts. And then, with a thrilling, inevitable perfection, Hannibal picks up the phone and says with his patented, seductive purr, “Hello, Clarice.” It ranks with one of the all-time-great moments in sequel history – the first reunion of these indelible characters in 10 years – and it produced an audibly electric sensation in the audience, where everyone simultaneously released a deep-throated chortle mixed with a shudder. It might be worth sitting through the film, at least in a packed movie house, just to get to that moment. But be warned: It’ll probably be the only time during the movie when you’ll have that feeling.


Read More About "Hannibal" Stays True To Trash: Also, "Left Behind: The Movie"...





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