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items tagged with Robert Elswit

Love Is a Man and Splintered Thing: "Duplicity" and "I Love You, Man"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2009-03-23 12:47:11

Julia Roberts and Clive Owen in Duplicity

DUPLICITY

Starting with the film's enticing prelude, which finds Julia Roberts and Clive Owen engaging in the first of several argumentative flirtations in exotic locales, I felt that Duplicity was an intensely sharp, clever, enjoyable movie. It wasn't until its very last shot, though, that I felt it was also a great one.


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Snake, Oil Salesman: "There Will Be Blood" and "U2 3D"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2008-01-30 08:24:19

Dillon Freasier and Daniel Day-Lewis in There Will Be BloodTHERE WILL BE BLOOD

As much as I adored Paul Thomas Anderson's There Will Be Blood - and I adored nearly every second of its 150-minute running length - it's the type of movie that I hate composing a review for, because no matter what I write, I know it won't come close to doing the achievement justice.


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Mike Schulz Toasts 2005's Great Movies
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2005-12-28 00:00:00
My annual challenge in composing a list of the year’s best movies almost never lies in deciding what to list. It lies in deciding when to list. As every movie fan knows, film studios – both majors and independents – generally unleash their most prominent Academy Award hopefuls (and, oftentimes, most interesting works) at the end of December, giving these films their best chance at being remembered, and potentially embraced, by the notoriously forgetful Academy.
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Killer Instincts: "Jarhead," "Good Night, & Good Lunck.", "Chicken Little," and "The Weather Man"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-11-09 00:00:00

Jake Gyllenhaal in JarheadJARHEAD

In movies, nothing is harder to define than tone, and the tone of Sam Mendes’ Jarhead, based on Tony Swofford’s Gulf War memoir, is so elusive that, hours after it ends, you might still not know what to make of it. In many ways, the movie is like a two-hour expansion of Full Metal Jacket’s first 40 minutes, as the 20-year-old Swofford (Jake Gyllenhaal) and his fellow Marine recruits, pumped up to an almost insane degree, train for their mission in the unbearable desert heat and prepare for battle. In Mendes’ film, however, there is no battle for his protagonists to respond to; the war ends while the Marines’ bloodlust is still reaching a boil. The film is, in many ways, about the maddening banality of service, and it has resulted in an occasionally maddening movie, but its shifting tones and air of unpredictability make it impossible to shake off; at the finale, you might not know exactly what you’ve seen, but you certainly know you’ve seen something.
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