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items tagged with Robin Williams

Traveling Exhibits: "Night at the Museum: Battle of the Smithsonian," "Terminator Salvation," and "Dance Flick"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2009-05-24 21:57:26

Ben Stiller in Night at the Museum: Battle of the SmithsonianNIGHT AT THE MUSEUM: BATTLE OF THE SMITHSONIAN

Night at the Museum: Battle of the Smithsonian is to its precursor what Ghostbusters II is to Ghostbusters: the less-novel offering, sure, but a follow-up of surprising wit and great throwaway touches, and one that, in many ways, improves on source material that was pretty terrific to begin with. Despite its titular locale, no one is going to mistake director Shawn Levy's adventure comedy for a work of art, yet when this follow-up is really working - which is surprisingly often - it provides a giddy, giggly rush, and it's filled with comic bits that you could probably watch three or four times in succession and laugh at every single time. The movie is scrappy, silly, and a load of fun.


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Thanksgiving Leftovers: "August Rush," "This Christmas," "Hitman," and "Awake"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2007-12-05 08:30:51

Jonathan Rhys Meyers and Freddie Highmore in August RushAUGUST RUSH

There's a scene in the tear-jerker August Rush in which the titular musical prodigy (Freddie Highmore) and a friendly Irish rocker (Jonathan Rhys Meyers) - unaware that they're father and son - engage in a happy bit of dueling guitars in Central Park, their matching grins widening as the improvised strumming reaches its climax. It's a great moment, and I mention it because it's the only one in the film that I didn't find excruciating.


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Mike's Online-Only Movie Reviews - 2006
Written By: Mike Schulz
Section: Movies

Category: Reviews

2007-10-30 00:39:47

BarnyardBarnyard (PG) - As it had been at least six or seven hours since I had last seen a computer-animated family movie at the cineplex, I was delighted to catch a screening of Barnyard. Unfortunately, it only took about six or seven hours to all but completely forget the experience; the film is your standard pap about Believing in Yourself and Sticking by Your Friends and such, and it may hopelessly confuse the young kids it's geared towards - I'm sorry, but male cows? With udders? Yet, for what it is, it's agreeable enough and boasts a surprisingly bouncy soundtrack, and the movie displays a welcome nasty streak - when Danny Glover's sage, kindly mule kicked that elderly farmer in the head, knocking him unconscious, I laughed pretty hard. When he did it twice more, I laughed twice as hard.


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Go, ’Bots!: "Transformers" and "License to Wed"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2007-07-11 08:42:58

Megan Fox and Shia LaBeouf in TransformersTRANSFORMERS

I laughed out loud a good half-dozen times at Transformers, and for the first time ever at a Michael Bay movie, not derisively. No one could have been less enthused than I at the prospect of a Bay-directed, live-action "adaptation" of the toys I was too old for in the mid-'80s. (I'll admit to a mildly derisive chuckle at the opening credit: "In association with Hasbro.") Yet all things considered, the resulting movie is great fun - 90 minutes of amusement and frequent exhilaration. The fact that the film actually runs 145 minutes proves to be only a slight detriment.


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Be Our Guest: “For Your Consideration,” “The Queen,” “Casino Royale,” and “Happy Feet”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2006-11-29 09:02:56

Christopher Moynihan, Harry Shearer, Catherine O'Hara, and Parker Posey in For Your ConsiderationFOR YOUR CONSIDERATION

I love Christopher Guest's improvisational comedies with a passion bordering on mania, and he and co-scenarist Eugene Levy have been wonderfully consistent about treating fans to a new one every three years; 1997's Waiting for Guffman led to 2000's Best in Show and 2003's peerless A Mighty Wind. Now we have For Your Consideration, a skewering of the annual Oscar-derby madness, and I couldn't have been more excited about seeing it. So why, despite its many, many great moments, does reflecting on the director's latest leave me feeling disappointed, and a little depressed?


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