items tagged with Roger Deakins
Written By: Mike Schulz
Section: Movies
Category: Reviews
2007-10-24 03:18:46
In order of recommendation:
Read More About Oct.-Tet: "The Assassination Of Jesse James By The Coward Robert Ford," "Gone Baby Gone," "Rendition," "The Comebacks," "Tyler Perry's Why Did I Get Married?", "Things We Lost In The Fire," "We Own The Night," And "Elizabeth: The Golden Age"...
Written By: Mike Schulz
Section: Movies
Category: Reviews
2007-10-03 08:27:30
IN THE VALLEY OF ELAH
Paul Haggis' In the Valley of Elah continually approaches greatness without ever really getting there.
Read More About War Is Hell: "In The Valley Of Elah," "The Kingdom" And "Resident Evil: Extinction"...
Written By: Mike Schulz
Section: Movies
Category: Reviews
2005-11-09 00:00:00
JARHEAD
In movies, nothing is harder to define than tone, and the tone of Sam Mendes’ Jarhead, based on Tony Swofford’s Gulf War memoir, is so elusive that, hours after it ends, you might still not know what to make of it. In many ways, the movie is like a two-hour expansion of Full Metal Jacket’s first 40 minutes, as the 20-year-old Swofford (Jake Gyllenhaal) and his fellow Marine recruits, pumped up to an almost insane degree, train for their mission in the unbearable desert heat and prepare for battle. In Mendes’ film, however, there is no battle for his protagonists to respond to; the war ends while the Marines’ bloodlust is still reaching a boil. The film is, in many ways, about the maddening banality of service, and it has resulted in an occasionally maddening movie, but its shifting tones and air of unpredictability make it impossible to shake off; at the finale, you might not know exactly what you’ve seen, but you certainly know you’ve seen something.
Read More About Killer Instincts: "Jarhead," "Good Night, & Good Lunck.", "Chicken Little," And "The Weather Man"...
Written By: Mike Schulz
Section: Movies
Category: Reviews
2004-08-04 00:00:00
THE VILLAGE
Nobody likes a know-it-all, so I have nothing to gain by admitting that I figured out The Big Twist in M. Night Shyamalan’s The Village after about 15 minutes. But I’ll venture that this popular writer-director has everything to lose by continuing to make his cinematic spook shows so repetitively, predictably “surprising." If you find yourself less than enthralled by The Village’s narrative, you have far too much time to ruminate on how Shyamalan will attempt, yet again, to pull the rug out from under you; he’s undermining his talent – and the man does have some – with his implied “Bet ya didn’t see that coming!” finales. (It’s becoming easy to respond with, “Oh yeah I did.”)
Read More About "The Village" Proves Shyamalan Needs A New Formula: Also, "Catwoman"...
Written By: Mike Schulz
Section: Movies
Category: Reviews
2004-03-31 00:00:00
THE LADYKILLERS
Just about every Coen brothers comedy is more enjoyable on a second or third (or fourth or fifth) viewing than it is on a first; once you adjust to Joel’s and Ethan’s Byzantine plotting, affected wordplay, and in-your-face staging – culminating in a style that can make their works seem, initially, show-offy and too quirky by half – the brothers’ filmmaking exuberance eventually wears down your resistance, and their scripts feature some of the funniest non sequiturs you’ll ever hear. (Nearly every movie fan I know can recite reams of dialogue from Raising Arizona and Fargo and O Brother, Where Art Thou?.) The Ladykillers, the Coens’ adaptation of a 1955 Alec Guinness comedy, is mostly on the hit side of hit-or-miss, and I’m guessing that it, too, will eventually become a beloved treasure trove of quotable quotes, mostly because, on a first go-around, it takes diligence to decipher exactly what Tom Hanks is saying in it.
Read More About "The Ladykillers" Just Might Be Another For The Ages By The Coens: Also, "Eternal Sunshine Of The Spotless Mind," "Dawn Of The Dead," And "Taking Lives"...
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