items tagged with Romantic Comedies

THE LADYKILLERS

Just about every Coen brothers comedy is more enjoyable on a second or third (or fourth or fifth) viewing than it is on a first; once you adjust to Joel’s and Ethan’s Byzantine plotting, affected wordplay, and in-your-face staging – culminating in a style that can make their works seem, initially, show-offy and too quirky by half – the brothers’ filmmaking exuberance eventually wears down your resistance, and their scripts feature some of the funniest non sequiturs you’ll ever hear. (Nearly every movie fan I know can recite reams of dialogue from Raising Arizona and Fargo and O Brother, Where Art Thou?.) The Ladykillers, the Coens’ adaptation of a 1955 Alec Guinness comedy, is mostly on the hit side of hit-or-miss, and I’m guessing that it, too, will eventually become a beloved treasure trove of quotable quotes, mostly because, on a first go-around, it takes diligence to decipher exactly what Tom Hanks is saying in it.

50 FIRST DATES

Adam Sandler’s 50 First Dates is about a man who falls in love with a woman suffering from short-term memory loss, a condition the filmmakers must think afflicts their audience as well.

ALONG CAME POLLY

There’s a pretty funny movie lurking within Along Came Polly, but unfortunately, it bears little relation to the slack and obvious one Ben Stiller and Jennifer Aniston are stuck in.

SOMETHING'S GOTTA GIVE

In Something's Gotta Give, a sixtysomething womanizer, currently dating a twentysomething auctioneer (!), finds himself, for the first time ever, falling in love with a woman roughly his age, and – wouldn’t ya know it? – it’s his girlfriend’s mother! Has there ever been so High a Concept? A forced, jokey premise like this is usually enough to make me hide under my theater seat; it’s a situation so nakedly designed to provide good-natured chuckles and muffled sobs that a hardened cynic like me walks into the movie with all defenses immediately up.

LOVE ACTUALLY

If you are to believe the (mostly) glowing responses to Love Actually, writer-director Richard Curtis has compressed material for a half-dozen romantic comedies into one, creating, in the words of one reviewer, “an epic romantic comedy.” But that’s not exactly accurate. For his first directorial outing, Curtis – the clever, funny screenwriter of Four Weddings & A Funeral and Notting Hill – has apparently decided to take every idea he’s ever had, every last one, and blend them into a frothy, holiday-themed confection; it’s less an epic romantic comedy than a romantic comedy shaped as an epic (which isn’t the same).