items tagged with Rooney Mara

BEAUTIFUL CREATURES

As it concerns a sensitive high-schooler who enters a world of trouble after falling for a moodier version of Sabrina the Teenage Witch, it should come as no shock to learn that the supernatural romance Beautiful Creatures is based on the first in a series of popular young-adult novels. But while I’d never argue that the YA-lit genre is completely humorless, surely the gender-reversed Twilight knock-off by co-authors Kami Garcia and Margaret Stohl can’t be as legitimately, intentionally hilarious as this big-screen adaptation, right?

IDENTITY THIEF

Near the very start of the Jason Bateman/Melissa McCarthy comedy Identity Thief, Bateman’s character, the mild-mannered businessman Sandy Patterson, is enjoying a birthday party thrown by his wife (Amanda Peet) and two adorable daughters. After blowing out his birthday candles, Sandy scoops his younger daughter in the air – she looks about four or five – and, in what seems like a totally improvised gesture, turns her upside down, playfully plopping her face-first into the cake. The whole family laughs, but no one laughs harder than that cake-smeared little girl, who takes a second to wipe frosting from her eyes and mouth before exclaiming, to our utter delight, “Oh my God!”

Just thought I’d share that in case you were curious about the movie’s funny moments, because for me, that was the only one.

THE GIRL WITH THE DRAGON TATTOO

Although I haven’t read the book and now have no desire to, my guess is that those who love author Stieg Larsson’s The Girl with the Dragon Tattoo will likely love the new film version, which boasts exceptional style and (as I understand it) doesn’t significantly veer from the novel’s narrative. Similarly, those who genuflect at the altar of David Fincher – and I’m occasionally one of them – will find plenty to adore here, as the director’s signature imprint is on every seedy, suggestive, sepia-toned image.

Before commencing with the annual fawning, I thought I’d begin by exercising one of my God-given rights as a reviewer: the right to bitch about the sorry state of movies. I think it’s supposed to go something like this:

Boy, are the movies in a sorry state!

THE SOCIAL NETWORK

You may have heard that a lot of critics, in their reviews of the film, have been comparing the Facebook saga The Social Network to Citizen Kane. So before this turns into one of those inaccurate, Al-Gore-says-he-invented-the-Internet sort of myths, let me clarify: They’re saying that in terms of its storyline, themes, and protagonist, director David Fincher’s and screenwriter Aaron Sorkin’s movie is more than a bit reminiscent of Orson Welles’ 1941 untouchable. No one, to my knowledge, is saying that The Social Network is as good as Citizen Kane.

Having said that, The Social Network is as good as Citizen Kane.