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items tagged with Ryan Gosling

Dogged Walker: "The Choice" and "Pride & Prejudice & Zombies"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2016-02-07 21:55:37

Teresa Palmer and Benjamin Walker in The ChoiceTHE CHOICE

Arriving just in time for women and gay men not entrenched in Super Bowl hoopla, this past weekend brought with it the debut of director Ross Katz’s The Choice, the 11th (!) adaptation of a Nicholas Sparks weepie to hit cineplexes since 1999. This one finds its rain-drenched North Carolina romantics portrayed by the Georgia-born Benjamin Walker, which is regionally close-enough, and Australian actress Teresa Palmer, which is regionally not-even-close. Oh, and British actor Tom Wilkinson plays Walker’s homily-spouting father. I’m fine with Walker’s casting. But have these things really become so noxious, and obnoxious, that we can no longer find Americans willing to play major roles in Sparks movies, forcing us to farm those assignments out to foreigners? Is Trump aware of this?!
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Crash! Crunch! Clunk! "The Big Short," "Concussion," and "Joy"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2015-12-28 00:20:16

Steve Carell and Ryan Gosling in The Big ShortDuring my extended holiday stay in the Chicago area, I saw a fantastic movie, a sizable disappointment, and an utter clunker. But as Carol, Legend, and The Danish Girl aren’t currently playing at a theater near you (at least if you live in the Quad Cities region), let’s instead focus on the other fantastic movie, sizable disappointment, and utter clunker I saw.
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“Pines” Soul: "The Place Beyond the Pines" and "Oblivion"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2013-04-22 03:15:21

Ryan Gosling and Eva Mendes in The Place Beyond the PinesTHE PLACE BEYOND THE PINES

You may not remember this if you’re 25 or younger, but between the mid-’70s and mid-’90s, we were sometimes treated to Very Special Episodes of long-running sitcoms. These episodes, which were usually twice as long as their shows’ 22-minute standard, found beloved characters momentarily wrestling with Weighty Themes and tackling Important Issues, and were frequently showered with critical praise and awards despite, or maybe because of, their general self-consciousness and bloat. (Michael J. Fox and Helen Hunt surely owe several of their Emmys to VSEs.) They’re mocked now, and they were kind of mocked then, and so it might seem like a particularly condescending insult to say that director Derek Cianfrance’s The Place Beyond the Pines feels like nothing so much as a Very Special Episode of a gritty, edgy indie drama.


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Wizard of Blahs: "Oz the Great & Powerful" and "Dead Man Down"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2013-03-10 03:08:36

James Franco in Oz the Great & PowerfulOZ THE GREAT & POWERFUL

As numerous effect-heavy entertainments have proved over the years, few film actors, and even fewer good ones, look altogether comfortable performing in wholly pixelated landscapes opposite wholly digitized characters. Yet I’m not sure I’ve seen any star look less connected with his artificial environment than James Franco does in Oz the Great & Powerful, director Sam Raimi’s mega-budgeted and intensely disappointing prequel to The Wizard of Oz.


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The Needle in the Haystack: "Zero Dark Thirty," "Gangster Squad," "A Haunted House," and "Hitchcock"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2013-01-14 18:45:03

Jessica Chastain in Zero Dark ThirtyZERO DARK THIRTY

As an orchestrator of cinematic suspense, Kathryn Bigelow might currently be without peer in American movies. The sequences of Jeremy Renner dismantling explosives in the director’s Oscar-winning The Hurt Locker were miniature masterpieces of sustained excitement; despite our knowing, through much of the film, that it was too early for Renner’s Sergeant William James to be killed off, each masterfully shot and edited act of bomb disposal vibrated with legitimate threat. In Zero Dark Thirty – Bigelow’s and screenwriter Mark Boal’s fictionalized docu-drama about the decade-long search for Osama bin Laden – nearly every scene feels like a ticking time bomb. There is, of course, never any doubt about the narrative’s outcome, yet Bigelow’s gifts for composition and pacing ensure that you still watch the picture with rapt attention and dread. And blessedly, she’s also a spectacular entertainer. The movie is tough-minded and sometimes tough to watch, but even when Bigelow is fraying your nerves, she’s tickling your senses.


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