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items tagged with Sam Worthington

Social Climbers: "Everest," "Captive," and "Maze Runner: The Scorch Trials"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2015-09-20 01:33:21

Jason Clarke in EverestEVEREST

At present, the only way to see director Baltasar Kormákur’s adventure drama Everest – the only legal way, at any rate – is in its IMAX 3D presentation, as the film won’t be released in other, less surcharge-filled formats until September 25. Yet even if, like me, you consider yourself a generally frugal (i.e., cheapskate) cineplex patron, I implore you to suck it up, shell out the extra dough, and treat yourself to the biggest, loudest Everest available. I’m not sure how well this thing will play on smaller screens, but the IMAX 3D version is a staggering, even humbling experience for the eyes and ears – a mountain that, on your TV or computer or iPhone, might more accurately suggest a molehill.
Read More About Social Climbers: "Everest," "Captive," And "Maze Runner: The Scorch Trials"...


Bee Prepared: "Bad Words," "Enemy," and "Sabotage"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-03-31 14:41:47

Rohan Chand and Jason Bateman in Bad WordsBAD WORDS

It’s not impossible to make a comedy centered on an angry, sullen, emotionally inaccessible bastard, as Oscar Isaac recently proved in Inside Llewyn Davis. In that film, however, Isaac had a Coen-brothers script and a bunch of sensational folk songs to help carry him through. In Bad Words, director/star Jason Bateman merely has a half-workable comic conceit and access to unlimited profanities. The anger, sullenness, and inaccessibility, I’m sorry to say, win out.


Read More About Bee Prepared: "Bad Words," "Enemy," And "Sabotage"...


Fairly Stale Fairy Tale: "Mirror Mirror," "Jeff, Who Lives at Home," and "Wrath of the Titans"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-04-05 18:15:03

Julia Roberts and Lilly Collins in Mirror MirrorMIRROR MIRROR

Mirror Mirror is a slightly modernized, family-comedy version of the Snow White fairy tale, and offhand, I can think of few directors less suited to the material than this film’s Tarsem Singh, the music-video veteran whose big-screen credits include those wildly baroque (and decidedly adult) spectacles The Cell and Immortals. Yet every once in a while, when a director is spectacularly wrong for a project, the results can be much more interesting than if he were right for it, and that certainly seems the case here; this aimless, pointless little trifle is mostly a drag, but I can only imagine how deadening it might’ve been without Singh at the helm.


Read More About Fairly Stale Fairy Tale: "Mirror Mirror," "Jeff, Who Lives At Home," And "Wrath Of The Titans"...


Northern Exposure: "The Grey," "Man on a Ledge," and "One for the Money"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-01-29 21:38:25

Liam Neeson in The GreyTHE GREY

Whenever I watch a movie such as Alive or The Thing or director Joe Carnahan’s The Grey – especially in January – I ask myself the same question: Is it worth it? I know about cinematic sleight-of-hand, of course, and that the performers and crew aren’t enduring anywhere near the nightmarish conditions suffered by the characters on-screen. I also presume that a fat Hollywood paycheck instantly makes any location shooting, including The Grey’s outdoor shoot in wintry British Columbia, a lot more bearable. But still, all that ice and wind and trudging through thigh-deep snow ... . Is any movie experience worth spending three months in fear of losing your digits to frostbite?


Read More About Northern Exposure: "The Grey," "Man On A Ledge," And "One For The Money"...


You Say You Want a Retribution: “The Debt,” “Apollo 18,” and “Shark Night 3D”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2011-09-04 14:51:31

Sam Worthington and Jessica Chastain in The DebtTHE DEBT

After her moving, memorable performances in The Tree of Life, The Help, and the current John Madden thriller The Debt, I’m beginning to think that Jessica Chastain can do almost anything. As evidenced by the actress’ latest (though not last) 2011 release, however, one thing she cannot do is pass for a younger version of Helen Mirren, or at least Mirren as she appears here; beyond their ill-matching features, Chastain’s empathetic soulfulness and emotional accessibility bear little relation to the detached calm and haunted inscrutability of her more seasoned counterpart.

Having said that, if one of your few complaints about a movie lies in the casting of Jessica Chastain and/or Helen Mirren, obviously you have very little to bitch about.


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