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items tagged with Sandra Bullock

Sensory Deprivation: "The Da Vinci Code" and "Just My Luck"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2006-05-24 06:45:39

Tom Hanks and Audrey Tautou in The Da Vinci CodeTHE DA VINCI CODE

Throughout Ron Howard’s The Da Vinci Code – based, of course, on Dan Brown’s staggeringly successful novel – Tom Hanks and Audrey Tautou continually find themselves in dimly lit rooms, gloomy cathedrals, and the occasional underground tomb. When the characters finally do venture outdoors, their visibility doesn’t much improve, as almost the entire movie takes place at night. And during the film’s two-and-a-half-hour running length, deprived of nearly all natural (and even artificial) light, I never craved a nap so badly in my life.
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Mike Schulz Toasts 2005's Great Movies
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2005-12-28 00:00:00
My annual challenge in composing a list of the year’s best movies almost never lies in deciding what to list. It lies in deciding when to list. As every movie fan knows, film studios – both majors and independents – generally unleash their most prominent Academy Award hopefuls (and, oftentimes, most interesting works) at the end of December, giving these films their best chance at being remembered, and potentially embraced, by the notoriously forgetful Academy.
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A First-Class McAdams in a Second-Rate "Red Eye": Also, "Four Brothers" and "Valiant"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-08-31 00:00:00

Rachel McAdams and Cillian Murphy in Red EyeRED EYE

Wes Craven’s Red Eye is the beneficiary of an original, intriguing leading character and, in Rachel McAdams, exactly the right performer to play her. A good thing, too, because the movie doesn’t have a lot else going for it.


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Explosive "Crash" an Early Contender for Best of 2005: Also, "Melinda & Melinda" and "XXX: State of the Union"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-05-11 00:00:00

Jennifer Esposito, Don Cheadle, and Kathleen York in CrashCRASH

Crash, the magnificent drama by Million Dollar Baby screenwriter Paul Haggis, fits alongside such sprawling, ensemble-driven works as Grand Canyon, Short Cuts, and Magnolia, movies in which plotlines dovetail within one another and themes enmesh, and where bitter, dissatisfied characters might not wind up more content than before – some might not even wind up alive – but they will definitely have shared, for better or worse, An Experience. (These characters might not receive traditional happy endings, yet they almost invariably find degrees of solace and a measure of hope.) Moviegoers who crave a clearly delineated moral to their stories can be driven batty by films of this ilk; more than once I’ve heard someone ask, apropos of one of these works, “But what was its point?” Crash, like its predecessors, explores characters so hungry for contact and meaning and understanding in a chaotic universe that they’re ready to explode, and oftentimes do. That hunger becomes the point.


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A Hundred-Plus Reasons to Go to the Movies
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2004-10-27 00:00:00
My first article for the River Cities’ Reader appeared in Issue 18, way back in March of 1995. (You know how long ago that was? Tom Hanks had only one Oscar.) Serving as the Reader’s film critic was, and still is, a terrific gig – for an avowed movie fanatic who loves to write, the chance to expound on the state of cinema has always been about more than giving a particular work a “yay” or “nay” vote; it’s given me, in a minor way, the opportunity to analyze an entire culture, to try to understand what’s in the heads of those who make films, and those who distribute films, and the millions of us who view them.
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