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items tagged with Sara Nicole Wegener

Bawdy Image: "Cabaret," at the Prospect Park Auditorium through June 23
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2013-06-17 12:00:00

Bryan Tank in CabaretQuad City Music Guild’s Cabaret is at its most entertaining whenever Bryan Tank’s Emcee graces the stage – “graces” being a somewhat incorrect term, as it's the actor’s unflinching commitment to his character’s blatantly sexual nature that’s so engaging. With his impressive German accent and convincing characterization of unabashed debauchery, Tank punctuates the beguilement of his Emcee by way of sexual gestures that seemed to titillate Thursday’s preview-performance audience, at least judging by the large amounts of laughter mixed with amused shock. (This was most notable during the threesome pelvic thrusts and other dance steps in Cabaret's “Two Ladies” number, one of several deliciously bawdy pieces choreographed by Emma Williams.)


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Pros at Cons: "Dirty Rotten Scoundrels," at the Prospect Park Auditorium through July 15
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2012-07-09 12:00:00

Sheri Olson, J. Adam Lounsberry, Ben Holmes, Sara Wegener, Paul Workman, and Jamie Bauschka in Dirty Rotten ScoundrelsThere’s nothing rotten about Quad City Music Guild’s current production of Dirty Rotten Scoundrels; Thursday’s preview performance was delightfully wicked from beginning to end. There is, however, plenty that’s dirty in this musical stage adaptation of the 1988 film, which starred Michael Caine and Steve Martin. The raunchy humor is sharp and smart, including the plethora of usually groan-worthy double entendres, and it's all delivered remarkably well by director Greg Bouljon’s cast.


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"Noises Off," Ghostlight Is On
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2005-09-14 00:00:00
As the adage goes, “Dying is easy; comedy is hard.” Noises Off sure is. Saying that Michael Frayn’s farce requires precision is like saying a fish requires water or Jennifer Lopez requires publicity; the show’s very survival rests on the hairbreadth timing of its repartee and comic business. Frayn’s work is so tightly structured and its momentum so dizzying that the slightest inappropriate pause can completely knock you out of the show’s rhythm, and so I applaud Ghostlight Theatre for not only for tackling the script but often triumphing with it. Dying is easy, comedy is hard, and Noises Off is freakin’ hard.
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