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items tagged with Sarah Polley

Sex? Drugs? Rock ’n’ Roll!: "Get Him to the Greek" and "Splice"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2010-06-06 21:12:49

Jonah Hill and Russell Brand in Get Him to the GreekGET HIM TO THE GREEK

It probably says less about the movie than our current movie culture when I say that, for my money, Nicholas Stoller's Get Him to the Greek is the smartest, shrewdest, and overall best film I've yet seen in 2010. The competition, after all, is in no way fierce; if forced to compose a 10-best list at this admittedly early point in this regrettably weak year, I'd include Stoller's raunchy comedy, Roman Polanski's The Ghost Writer, and then respectfully plead the Fifth.


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A Hundred-Plus Reasons to Go to the Movies
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2004-10-27 00:00:00
My first article for the River Cities’ Reader appeared in Issue 18, way back in March of 1995. (You know how long ago that was? Tom Hanks had only one Oscar.) Serving as the Reader’s film critic was, and still is, a terrific gig – for an avowed movie fanatic who loves to write, the chance to expound on the state of cinema has always been about more than giving a particular work a “yay” or “nay” vote; it’s given me, in a minor way, the opportunity to analyze an entire culture, to try to understand what’s in the heads of those who make films, and those who distribute films, and the millions of us who view them.
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"The Ladykillers" Just Might Be Another for the Ages by the Coens: Also, "Eternal Sunshine of the Spotless Mind," "Dawn of the Dead," and "Taking Lives"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2004-03-31 00:00:00

Irma P. Hall and Tom Hanks in The LadykillersTHE LADYKILLERS

Just about every Coen brothers comedy is more enjoyable on a second or third (or fourth or fifth) viewing than it is on a first; once you adjust to Joel’s and Ethan’s Byzantine plotting, affected wordplay, and in-your-face staging – culminating in a style that can make their works seem, initially, show-offy and too quirky by half – the brothers’ filmmaking exuberance eventually wears down your resistance, and their scripts feature some of the funniest non sequiturs you’ll ever hear. (Nearly every movie fan I know can recite reams of dialogue from Raising Arizona and Fargo and O Brother, Where Art Thou?.) The Ladykillers, the Coens’ adaptation of a 1955 Alec Guinness comedy, is mostly on the hit side of hit-or-miss, and I’m guessing that it, too, will eventually become a beloved treasure trove of quotable quotes, mostly because, on a first go-around, it takes diligence to decipher exactly what Tom Hanks is saying in it.


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