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items tagged with Sarah Ulloa

"Bee" Queens: Notes from Quad City Music Guild's "Beehive" Dress Rehearsal
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2007-03-20 14:04:25

Amy Malmstead, Sarah Larrabee, and Heather McGonigle in As it was a technical dress rehearsal with four days to go before opening night, it was understandable that the March 19 presentation of Quad City Music Guild's Beehive encountered a few glitches. The scene transitions were on the poky side; it was often unclear, during the frequent medleys, whether musical numbers were supposed to end with applause or not (there were a few too many uncomfortable pauses); and the sound, during Act I especially, obviously needed polish - the over-amplification on the opening number, in particular, was painful.

But when all was said and done, there was only one thing sorely missing from this presentation: An audience. Because when Beehive's performers finally get one, this thing is gonna go through the roof.


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What Have We Learned?
Written By: Mike Schulz
Section: Theatre

Category: Feature Stories

2006-12-20 08:41:51

"Much Ado About Nothing" In the realm of educational theatre, the audience's enjoyment should always be secondary to what the students take from their theatrical experiences. So I certainly hope that 2006's productions were meaningful for the students in Augustana College's, St. Ambrose University's, and Black Hawk College's theatre programs, because this particular audience member had a great time at their shows.


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Naughty and Nice: "The Threepenny Opera," at St. Ambrose University
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2006-10-18 04:32:23

Jaci Entwisle & Jack Kloppenborg in "The Threepenny Opera" During Bertolt Brecht's The Threepenny Opera - the German dramatist's revolutionary musical-comedy collaboration with composer Kurt Weill - we're meant to feel uneasy. With its cast of beggars and rogues, obliteration of the fourth wall, and refusal to cater to conventional audience expectation (the songs here, devoid of proper finales, don't so much finish as stop), The Threepenny Opera is a fascinating, deliberately alienating piece. Our enjoyment stems from how unconventional the show is, but in no traditional sense are we meant to simply like it.

So in regard to director Corinne Johnson's Depression-era Threepenny Opera that recently opened St. Ambrose University's 2006-7 theatre season at the Galvin Fine Arts Center (and closed on October 15), was it a failing or a blessing that so many of its performers were so damned likable?


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More Than Pharoah ’Nuff: "Aida," at the Prospect Park Auditorium through June 17
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2006-06-14 05:00:39

Tyson Danner, Allyson Peniston, and Angela Cavallo More often than not, our area's musicals are graced by terrific voices. But every once in a while, a performer will come along whose vocal gifts and interpretive skills positively knock you out, causing you to silently mouth one word at your theatergoing companion: "Damn." The Quad City Music Guild's current production of the Disney musical Aida, directed by Bill Marsoun, doesn't have one of those performers. It has two.


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