items tagged with Saw

SCREAM 4

Directed, as all of the franchise’s outings have been, by Wes Craven, and written by Kevin Williamson, Scream 4 is a sequel, a reboot, and a big middle finger to reboots, all in one bloody, meta, mostly tedious package. It opens beautifully and features a bunch of (mostly verbal) horror-comedy pleasures, yet its overall effect is wearying; Craven and Williamson are so focused on deconstructing the genre – the Scream series in particular – for a media-soaked, hipper-than-thou young audience that even its “surprises” are in quotation marks. Watching Scream 4 is like watching a movie with its commentary track running before you’ve had a chance to experience the film without it.

INSIDIOUS

SAW 3D

In the first 10 minutes of Saw 3D, a grim-faced cop enters an interrogation room and addresses his visitor with a curt “Let’s get this over with.” I couldn’t agree more!

LET ME IN

With apologies to those firmly on either Team Edward or Team Jacob, I was, until recently, convinced that the best vampire movie of the past 10 years was director Tomas Alfredson’s Let the Right One In, the widely acclaimed, beautiful, and very scary Swedish thriller from 2008. But after seeing director Matt Reeves’ new remake, Let Me In, I’m thinking that – Heresey Alert! – this one just might trump it.

AMELIA

As barrier-breaking aviatrix Amelia Earhart in director Mira Nair's Amelia, Hilary Swank is stylized yet approachable - exactly the kind of down-to-earth, pre-feminist spitfire that a squarely reverential bio-pic calls for. Her Katharine Hepburn cadences take some getting used to, but Swank charges through her scenes with natural authority and winning gumption, and when she smiles, the whole of Earhart's glorious aerial experiences seems to shine through her toothy grin. It's a lovely, sincere Earhart impression, and might've really been something if the actress wasn't being continually undermined by the direction, the script, the score, and most of her co-stars.