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items tagged with science fiction movies

To Be Continuum-ed: "Interstellar" and "Big Hero 6"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-11-07 19:43:22

Anne Hathaway and Matthew McConaughey in InterstellarINTERSTELLAR

With his breathlessly anticipated, behemoth-sized space opera Interstellar, has Christopher Nolan finally bitten off more than he can chew, or simply more than I can chew? I’d like to believe the latter, considering I like three of Nolan’s eight previous features and adore four others (with apologies to Batman Begins, which I merely tolerate), and considering half the movie’s dialogue is elaborate techo-jargon that I was predisposed not to understand. But like an itchy lover who says “It’s not you; it’s me” when he really means the opposite, I’m still laying most of my dissatisfaction at Nolan’s feet, and for a pretty basic reason: For all of its narrative and technical razzle-dazzle, Interstellar is the man’s first film that’s expressly about humans, and humans aren’t remotely close to being Nolan’s strong suit.


Read More About To Be Continuum-Ed: "Interstellar" And "Big Hero 6"...


Limp Woody: "Magic in the Moonlight," "The Giver," and "Let’s Be Cops"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-08-17 17:16:13

Emma Stone and Colin Firth in Magic in the MoonlightMAGIC IN THE MOONLIGHT

It would be wonderful to say that Woody Allen’s Magic in the Moonlight, the lighthearted tale of a stuffy British magician (Colin Firth) who attempts to disprove the gifts of a convincing psychic (Emma Stone) in 1928 Paris, was a throwback to the auteur’s oft-referenced early, funny movies – the ones, such as Sleeper and Love & Death, that we fans enjoy returning to again and again. (In the case of Love & Death, for me, “again and again” multiplied by about 20.) Unfortunately, it’s more of a throwback to the writer/director’s less-referenced early-autumnal period, and its not-so-funny movies – the ones, such as The Curse of the Jade Scorpion and Hollywood Ending, that even we die-hards didn’t really care about the first time around.


Read More About Limp Woody: "Magic In The Moonlight," "The Giver," And "Let’S Be Cops"...


Optimus Primate: "Dawn of the Planet of the Apes"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-07-13 03:29:52

Andy Serkis in Dawn of the Planet of the ApesDAWN OF THE PLANET OF THE APES

Following a brief, artful prelude introducing us to the film’s post-viral, post-apocalyptic setting, Dawn of the Planet of the Apes opens with an extreme closeup on the eyes of Caesar, the highly evolved chimpanzee memorably portrayed (with CGI enhancement) by Andy Serkis in 2011’s Rise of the Planet of the Apes. An extreme closeup on Caesar’s eyes will also be the final image in director Matt Reeves’ sequel, yet the differences between these cinematic bookends are as wide and varied as the differences between Rise, a half-great, half-clumsy hit, and Dawn, which is, hands down, the most exciting, resonant, and humane Hollywood blockbuster of the summer, if not the millennium.


Read More About Optimus Primate: "Dawn Of The Planet Of The Apes"...


Four-of-July Weekday – Notes on a Quadruple Feature: "Deliver Us from Evil," "Tammy," "America," and "Earth to Echo"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-07-03 16:12:41

Eric Bana in Deliver Us from EvilJuly 2, 10:40 a.m.-ish: My screenings begin with the demonic-possession thriller Deliver Us from Evil, and I notice, during the “found footage” prelude, that the action begins on the Fourth of July. So, clearly, the film is being released at the right time. Ninety minutes later, I notice, during the climactic exorcism, that the action ends on 4/20. So, clearly, the filmmakers were high.


Read More About Four-Of-July Weekday – Notes On A Quadruple Feature: "Deliver Us From Evil," "Tammy," "America," And "Earth To Echo"...


The Kids Aren’t All Right: "The Fault in Our Stars" and "Edge of Tomorrow"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-06-08 20:53:27

Ansel Elgort and Shailene Woodley in The Fault in Our StarsTHE FAULT IN OUR STARS

The first words heard in the romantic tearjerker The Fault in Our Stars come from Shailene Woodley’s cancer-stricken teen Hazel, who tells us, in voice-over narration, that Hollywood movies are never honest in their depiction of sad stories, and promises that when it comes to the sad story she’s about to relate, “This is the truth.” And in retrospect, the film lost me with those four little words, because almost nothing that happened over the next two-plus hours felt even close to true.


Read More About The Kids Aren’T All Right: "The Fault In Our Stars" And "Edge Of Tomorrow"...





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