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items tagged with Shia LaBeouf

Rebel without a Planet: “I Am Number Four,” “Unknown,” and “Big Mommas: Like Father, Like Son”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2011-02-20 20:08:57

Dianna Agron and Alex Pettyfer in I Am Number FourI AM NUMBER FOUR

A handsome, troubled, rebellious transfer student dealing with alienation and the wrath of bullies at his new high school. The kid’s ineffectual father, shrugging off his child’s loneliness and conflicts with the authorities. The kid’s one new friend, a withdrawn, frequently picked-on nerd with his own parental hang-ups. The kid’s potential love interest, a pretty, popular girl who feels like an outsider herself, and appears to be the property of the kid’s chief tormentor. If you’ve seen a certain iconic drama starring Natalie Wood, Sal Mineo, and a red-jacket-wearing James Dean, the aforementioned character descriptions might sound a teensy bit familiar.


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Blah, Blah, Blah ... and Surprisingly Fun - Notes on a Quadruple Feature: "You Again," "Legend of the Guardians: The Owls of Ga'Hoole," "The Virginity Hit," and "Wall Street: Money Never Sleeps"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2010-09-26 19:11:08
Billy Unger, Betty White, Jamie Lee Curtis, Sigourney Weaver, Odette Yustman, and Kristin Bell in You AgainFriday, September 24, 11:30-ish: I attend a morning screening of You Again, and pretty much know what I’m in for as soon as the Touchstone Pictures logo appears: a brightly lit, jauntily scored, aggressively manic entertainment with plenty of “heart” and no laughs whatsoever. (I half-expect a Tim Allen cameo, but instead get a Dwayne Johnson cameo, which probably should’ve been more expected.)
Read More About Blah, Blah, Blah ... And Surprisingly Fun - Notes On A Quadruple Feature: "You Again," "Legend Of The Guardians: The Owls Of Ga'Hoole," "The Virginity Hit," And "Wall Street: Money Never Sleeps"...


Sittin’ at the Dreck of the Bay: “Transformers: Revenge of the Fallen”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2009-06-26 19:40:25

Megan Fox and Shia LaBeouf in Transformers: Revenge of the FallenWithin the first minute of Transformers: Revenge of the Fallen, it'll be pretty apparent that the movie wasn't exactly designed for (or by) Mensa members, as a title card shows the military time in China to be 22:14 hours, and the sun is still up. It'll quickly be even more apparent, when the prelude's autobot narrator mispronounces "refuge." But heaven knows we're not expecting braininess from a Michael Bay-directed action sequel based on a line of Hasbro action figures; if the effects are sufficiently awesome and there's a good joke now and again -- which pretty much sums up Bay's original, 2007 Transformers -- nearly any other irritant could be easily forgiven.


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Whipping Boy: "Indiana Jones & the Kingdom of the Crystal Skull"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2008-05-28 08:20:06

Harrison Ford in Indiana Jones & the Kingdom of the Crystal Skull

INDIANA JONES & THE KINGDOM OF THE CRYSTAL SKULL

We'll get to Spielberg, Ford, and all manner of chases, escapes, and effects soon enough, but allow me to ask: Has any performer ever seemed as irrepressibly, irresistibly happy on-screen as Karen Allen in Indiana Jones & the Kingdom of the Crystal Skull?


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Mike’s Online-Only Movie Reviews - 2008
Written By: Mike Schulz
Section: Movies

Category: Reviews

2008-05-01 11:06:16

The AlpsThe Alps (not rated) - The people have chosen, and the people chose good. Last fall's winner of the Putnam Museum's "Everyone's a Critic" series - which follows climber John Harlin's attempts to scale the north face of the Eiger mountain, where his father perished in 1966 - is such a breathtaking spectacle that watching it makes you a little dizzy; not from the Eiger's treacherous inclines and precipitous drops, which are (enjoyably) vertigo-inducing enough, but from the dazzling visual rush provided by director Steve Judson and his remarkable team of camera operators. Judson re-creates Harlin's ascent with jaw-dropping skill - you'll fight the urge to blurt out "How on earth did they film that?!" repeatedly during The Alps' 45-minute running length - and he and his crew photograph the Swiss mountain ranges with crystalline perfection; I'm not sure any movie has ever looked better in IMAX format. When the film turns to matters of geology and the historic make-up of the mountains, things get a little stodgy, but you're quickly returned to the awe-inspiring vistas, an unexpectedly touching human element courtesy of Harlin and his understandably worried wife and daughter, and, believe it or not, a series of marvelously employed Queen tunes that - in this format, at least - suggest what the elevator ride to heaven would sound like.


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