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items tagged with Sissy Spacek

Period Piece: "Carrie," "The Fifth Estate," and "Escape Plan"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2013-10-20 22:31:31

Chloe Grace Moretz in CarrieCARRIE

(Author’s note: Spoilers will abound. Given that the movie under consideration is an oftentimes word-for-word updating of a 37-year-old work, I hope I’ll be forgiven for them.)

As remakes of beloved genre classics go, I suppose there’s little point in being bothered by the new Carrie. Director Kimberly Peirce’s outing, after all, is easy to sit through, smartly staged, generally well-acted, and, in most regards, incredibly faithful to Brian De Palma’s 1976 original (which was, itself, reasonably faithful to Stephen King’s debut novel of 1974). The CGI effects are pretty weak, and the movie isn’t even slightly scary, and considering that nearly all sentient beings know what happens to poor Carrie White at the prom – with the movie’s entire advertising campaign based on post-prom imagery – there’s almost nothing in the way of storyline surprise, but whatever. It’s fine.


Read More About Period Piece: "Carrie," "The Fifth Estate," And "Escape Plan"...


Mississippi Yearning: "The Help" and "Glee: The 3D Concert Movie"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2011-08-14 18:16:01

Emma Stone, Octavia Spencer, and Viola Davis in The HelpTHE HELP

Based on Kathryn Stockett’s much-loved bestseller, The Help concerns the tenuous relationships between black domestic workers and their privileged white employers in early-’60s Mississippi, and it’s a fairly obvious movie, with director Tate Taylor opting for broad brushstrokes over subtlety, and the occasionally wrenching drama sitting, rather uncomfortably, alongside klutzy jokiness. Yet offhand, I can’t think of another popular entertainment whose flaws matter less than this film’s, because everything that’s lacking in the picture is more than made up for in the fearless, emotionally precise, and oftentimes devastating portrayals of Taylor’s cast. The Help is easy to complain about, but all it takes is one of the magnificent Viola Davis’ fierce, tearful stares – or a blast of Octavia Spencer’s anger, or a flash of Emma Stone’s heartbreak, or a burst of Jessica Chastain’s joy – to make your complaints feel positively moot.


Read More About Mississippi Yearning: "The Help" And "Glee: The 3D Concert Movie"...


Devilish Fun: "The Last Exorcism," "Get Low," and "Takers"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2010-08-30 01:09:19

Ashley Bell in The Last ExorcismTHE LAST EXORCISM

For the majority of its length, The Last Exorcism is a hell of a good time. I'd love to say that's because the movie is terrifying, but it isn't, really; the biggest jolt you're likely to experience comes in the first 20 minutes, when a teen unexpectedly hits a car's rear window with a rock. Yet until it goes seriously off the rails in its final third, director Daniel Stamm's low-tech scare flick is clever and engrossing (without being all that gross), and it boasts a protagonist who's something unique for his genre: a funny, friendly sort whom you're still aching to see get what's coming to him.
Read More About Devilish Fun: "The Last Exorcism," "Get Low," And "Takers"...


Homecoming Dance: "Four Christmases," "Australia," and "The Boy in the Striped Pajamas"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2008-12-03 08:10:44

Reese Witherspoon and Vince Vaughn in Four ChristmasesFOUR CHRISTMASES

In the spirit of those magical pre-Thanksgiving treats Fred Claus, Deck the Halls, and Christmas with the Kranks, director Seth Gordon's Four Christmases is Hollywood's annual, star-filled affair that celebrates the joys of the holidays through wisecracks, gaudy colors, pummeling "comic" violence, and occasional projectile vomiting. It differs from its predecessors, though, in one notable regard: It doesn't suck. At least not completely.


Read More About Homecoming Dance: "Four Christmases," "Australia," And "The Boy In The Striped Pajamas"...


Brush with Greatness: "Art School Confidential," "Poseidon," "An American Haunting," "Akeelah & the Bee," "Hoot," and "RV"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2006-05-17 08:25:35

John Malkovich and Max Minghella in Art School ConfidentialART SCHOOL CONFIDENTIAL

I’ve read critics who have described Terry Zwigoff’s Art School Confidential as nihilistic, sour, and mean-spirited. They’re saying it like that’s a bad thing. Working with screenwriter Daniel Clowes – adapting the film from his comic book, and again collaborating with the director who helmed 2001’s Clowes-scripted Ghost World – Zwigoff has, here, fashioned a wonderfully nihilistic, sour, and mean-spirited comedy; it might take easy potshots at the politics and posturings of the art community, but those potshots are funny and clever, and the film’s refusal to sentimentalize any of its characters (even our protagonist) is incredibly refreshing. Still, the movie has been met with much dissatisfaction, if not outright annoyance. Art School Confidential seems, to me, the most thoroughly misunderstood movie of the year.


Read More About Brush With Greatness: "Art School Confidential," "Poseidon," "An American Haunting," "Akeelah & The Bee," "Hoot," And "RV"...





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