items tagged with Speed

CADILLAC RECORDS

At roughly 105 minutes, writer/director Darnell Martin's Cadillac Records is so jam-packed with character, story, incident, and musical interludes that it sometimes feels as though six or seven movies are being projected on the screen simultaneously. This is not meant as an insult. Films that overreach oftentimes give audiences too much of a fine thing, yet Cadillac Records is just enough of a really fine thing - a soulful, impassioned, beautifully enacted drama that delivers all the pleasures of the musical-bio-pic genre without the obviousness and sanctimony.

HOLLYWOODLAND

Against all expectation, the most touching performance in current releases is probably Ben Affleck's turn as George Reeves in the Tinseltown drama Hollywoodland. Director Allen Coulter's work centers around the mysterious shooting death of the famed Superman star of '50s television, and Affleck is just about perfect here. Seen in flashbacks, he plays Reeves' heartrending rise and fall with the abashed sweetness of a man who knows his good looks and moderate talent will only carry him so far, and Affleck's strong, subtle turn is effortlessly moving. And as trophy wife Tony Mannix, Diane Lane nearly matches him, suggesting entire generations of women carelessly tossed away by Hollywood's obsession with youth and beauty; Hollywoodland's tragedy is hers as much as Reeves', and the emotionally naked Lane turns in a fierce, brave portrayal.

THE LAKE HOUSE

In The Lake House, Sandra Bullock plays Kate Forster, a Chicago doctor living in the glass-encased home of the movie's title. Upon abandoning her domicile for a move back to the city, Kate leaves a letter for the next tenant in the edifice's mailbox; the note is received by Keanu Reeves' architect Alex Winter, who responds, thus beginning a pen-pal relationship between the two. Based on their shared tastes, histories, and a fondness for melancholic gush, it's obvious the two are Meant for Each Other. But, unfortunately, a Happily Ever After doesn't appear in the offing, as there's a major hitch to their relationship: Kate lives in 2006, while Alex is firmly nestled in 2004.

RED EYE

Wes Craven’s Red Eye is the beneficiary of an original, intriguing leading character and, in Rachel McAdams, exactly the right performer to play her. A good thing, too, because the movie doesn’t have a lot else going for it.

SKY CAPTAIN & THE WORLD OF TOMORROW

Sky Captain & The World of Tomorrow might be the movie year’s most refreshing surprise, especially when you consider how disastrous the results could have been.