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items tagged with sports movies

And Here's to You, Mr. Robinson: "42" and "Scary Movie 5"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2013-04-13 20:58:35

Harrison Ford and Chadwick Boseman in 4242

42, writer/director Brian Helgeland’s dramatization of three years in the life of baseball trailblazer Jackie Robsinson, is an earnest, deliberately old-fashioned entertainment, an inspirational bio-pic made with professionalism and care but little in the way of emotional or thematic nuance – it’s the very definition of what-you-see-is-what-you-get filmmaking. In three specific scenes, though, this seemingly prototypical triumph-of-the-underdog sports flick also achieves a legitimate, rousing greatness, and it’s the sort of expansive and lingering greatness that makes you leave the picture feeling, with few reservations, that the movie as a whole was truly great.


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A Map of the World: "Cloud Atlas," "Chasing Mavericks," and "Silent Hill: Revelation"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-10-29 12:50:52

Tom Hanks and Halle Berry in Cloud AtlasCLOUD ATLAS

I’ve seen plenty of movies in which a number of excellent passages can’t seem to blend into a satisfying whole. But prior to the release of Cloud Atlas, the film version of David Mitchell’s sprawling 2004 novel, I don’t think I’d ever seen a movie in which so many merely adequate sequences combine to form a whole that’s not only satisfying but downright exhilarating. Directed by Tom Tykwer and siblings Andy and Lana Wachowski and running just shy of three hours, this genre fantasia should be a mess, and it oftentimes is. It’s also, however, a hypnotic, glorious, grandly entertaining mess, one that’s probably far more enjoyable than a more presentationally faithful adaptation would’ve been.


Read More About A Map Of The World: "Cloud Atlas," "Chasing Mavericks," And "Silent Hill: Revelation"...


“Stee-e-e-erike!”: "Trouble with the Curve," "End of Watch," and "Beasts of the Southern Wild"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-09-24 03:27:30

Amy Adams and Clint Eastwood in Trouble with the CurveTROUBLE WITH THE CURVE

The latest movie to star Clint Eastwood, marking the icon’s first on-screen appearance since 2008’s Gran Torino, is director Robert Lorenz’s baseball drama Trouble with the Curve. That curve, by the way, is the least of this film’s troubles.


Read More About “Stee-E-E-Erike!”: "Trouble With The Curve," "End Of Watch," And "Beasts Of The Southern Wild"...


Primary Concern: "The Ides of March," "Real Steel," and "Courageous"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2011-10-09 21:02:46

Philip Seymour Hoffman and George Clooney in The Ides of MarchTHE IDES OF MARCH

Audiences demanding insight, or even much depth, from director George Clooney’s The Ides of March will no doubt leave the film disappointed – unless, that is, the revelation that political candidates and their staffers routinely lie and spin and backstab strikes any of those viewers as a newsflash. Yet if you enter this tale of Machiavellian (and, as its title suggests, Shakespearean) intrigue not expecting trenchant analysis so much as a good, gripping yarn supremely well-told, you’re in for a major treat. Smart and fast and gratifyingly vicious, Clooney’s latest is a drama that plays like a thriller, and it’s full-to-brimming with sequences you want to watch over and over again; for those conversant in West Wing-ese, the movie suggests a juicy episode of Aaron Sorkin’s TV series if every character in it was played by Ron Silver.


Read More About Primary Concern: "The Ides Of March," "Real Steel," And "Courageous"...


Contract Highs: "Moneyball," "Killer Elite," and "Abduction"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2011-09-25 17:32:32

Brad Pitt and Jonah Hill in MoneyballMONEYBALL

On paper, the casting of Brad Pitt as Oakland A’s General Manager Billy Beane in Moneyball must have seemed inspired. On screen, it’s so, so much better than that. Pitt has, of course, given many wonderful performances over the past two decades (and just as many blandly acceptable or downright dreary ones). But to my mind, his Billy Beane – driven, hopeful, cocky, incensed, funny, tender, and smart as hell – is the actor’s first chance to employ all of his gifts in the service of an emotionally expansive, fully shaped character, and Pitt’s beautiful and generous work here is truly a sight to behold. Director Bennett Miller’s last feature film was his 2005 debut Capote, which netted Philip Seymour Hoffman a Best Actor Oscar. With Moneyball, Miller might find himself batting 2-for-2 for his stars in that category.


Read More About Contract Highs: "Moneyball," "Killer Elite," And "Abduction"...





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