items tagged with Spy Kids

There's so much that's impressive about The American that I feel somewhat guilty for briefly nodding off, twice, during the course of the film. But in my defense - and unlike the gentleman sitting in the row ahead of me - I'm at least reasonably sure I didn't snore.
Read More About The Too-Quiet American: “The American,” “Going The Distance,” “Machete,” And “The River Is Life”...

THE LAST HOUSE ON THE LEFT

Seven weeks into its release, the ludicrous, laughable Taken is still in the top five at the box office, and it wasn't until seeing The Last House on the Left that I had a theory as to why: One should never underestimate the cinematic appeal of watching Daddy beat the crap out of his kid's assailants. It's doubtful that director Dennis Iliadis' remake of Wes Craven's grimy 1972 horror show will attract Taken-size crowds, but it, too, frames its nightmare around a brutalized teenage girl whose survival depends on the ass-kicking resourcefulness of her vengeful father (with her mother lending a hand, and a knife, for good measure). The difference between the movies, though, is that The Last House on the Left is actually a pretty good one.

MR. & MRS. SMITH

If it accomplished nothing else, Mr. & Mrs. Smith would easily nail a primal attraction for going to the movies: Getting to spend two hours staring at people who are infinitely better-looking than we are.

MATCHSTICK MEN

Ostensibly, Ridley Scott’s dramatic comedy Matchstick Men deals with Roy (Nicolas Cage), a professional con artist, connecting with Angela (Alison Lohman), the 14-year-old daughter he never knew he had, and trying to better himself as a father figure.

THE HUNTED

Offhand, I can’t think of an acting team more oddly matched, and strangely inspired, than Tommy Lee Jones and Benicio Del Toro. Talk about your odd couples: Jones, with his clipped, no-bullshit gruffness that gives way to a kind of mellow humor, and Del Toro, with his loopy line readings and eloquent silences (you’re always wondering what, exactly, is going on in his head). When both men are at the top of their game – Jones in Lonesome Dove or The Fugitive, Del Toro in Traffic or his brief, brilliant turns in The Pledge and Fearless – they’re marvelously vibrant performers, so even if you’re dreading yet another routine action picture, the chance to see this duo play opposite one another might be reason enough to sit through The Hunted. The movie, directed by thriller veteran William Friedkin, winds up being little more than a violent screen adaptation of “Where’s Waldo?”, but Jones and Del Toro, at least, give it some punch.