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items tagged with Stacy Herrick

Disability Assurance: "The Boys Next Door," at the Richmond Hill Barn Theatre through June 14
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2015-06-08 12:00:00

Victor Angelo and Jonathan Grafft in The Boys Next DoorI sat through Thursday’s The Boys Next Door at the Richmond Hill Barn Theatre fascinated and perplexed by the mixture of emotions I felt. Author Tom Griffin’s play about four men with various degrees of mental illness living together in a group home is a comedy, for sure. But director John VanDeWoestyne and his cast presented it in such a way that I wanted to “Ha!” and “Aw-w-w!” simultaneously during almost every moment. The piece is both funny and deeply touching, and much of the credit for that goes to the perfectly cast actors playing the titular “boys.” While it took time for a couple of them to win me over, by intermission, each one had me convinced that he shouldn’t have been cast any other way.


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Whole Lotta Shakespeare Goin' on: "The Complete Works of William Shakespeare (Abridged)," at the Richmond Hill Barn Theatre through April 19
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2015-04-13 12:00:00

Bryan Woods, Stacy McKean Herrick, Angela Rathman, Rebecca McCorkle, and Martha O'Connell in The Complete Works of William Shakespeare AbridgedThe Richmond Hill Barn Theatre's The Complete Works of William Shakespeare (Abridged) is a loosely staged, sloppy mess of the comedy by Adam Long, Daniel Singer, and Jess Winfield. In presenting (almost) every single one of Shakespeare’s plays in about an hour and a half plus intermission, director Tom Morrow didn’t seem to give his five actors much in the way of blocking, leaving them to frequently mill about or form awkward clumps. Yet it’s this unrefined quality that turns out to be the production’s chief strength; it's all the more delightful for feeling less like a scripted piece than an improv show.
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Don't Move!: "Love Thy Neighbor," at the Richmond Hill Barn Theatre through August 25
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2013-08-19 12:00:00

Jim Strauss, Jan Golz, and Stacy McKean Herrick in Love Thy NeighborThe sharp wit of playwright Gary Ray Stapp’s dialogue goes a long way to overcome the occasional humorless spots in the Richmond Hill Barn Theatre's production of Love Thy Neighbor. And when the cast is delivering Stapp’s most amusing banter, director Eugenia Giebel’s presentation titillates sometimes to the point of tears, particularly as Jan Golz’s self-important, riff-raff-hating busybody Leona Crump squares off against Diane Greenwood’s dolled-up, somewhat pompous Tupperware and Avon saleswoman Ava. The two create sparks of entertaining disdain for each other, and best suggest the overall tone Stapp apparently intended for his play.


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Mad Men (and Women): "The Curious Savage," at the Richmond Hill Barn Theatre through August 26
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2012-08-20 12:00:00

Mollie Schmelzer, Jackie Patterson, Renaud Haymon, Taylor McKean, and Jordan L. Smith in The Curious SavageThe Curious Savage is the best production I’ve seen at the Richmond Hill Barn Theatre so far this season. With its sharply funny script, interesting and endearing characters, and director Don Hazen's gentle touch rendering the piece heartfelt and sincere, I was captivated from beginning to end during Thursday’s performance, curious as to how the story would unfold, and caring what would happen to the show's cast of sanatorium residents.


Read More About Mad Men (And Women): "The Curious Savage," At The Richmond Hill Barn Theatre Through August 26...


Home Is Where the Hard Is: "Independence," at the Richmond Hill Barn Theatre through February 20
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2011-02-14 12:00:00

Nancy Teerlinck and Dana Skiles in IndependenceDirector Emmalee Moffitt’s Richmond Hill Barn Theatre production of Independence may be the first work I’ve seen in which the pacing is a problem because it’s too fast. It struck me, while watching Thursday night’s performance, that a lot of tension was lost due to the lack of awkward silences during verbal spats; Moffitt doesn’t allow several scenes to breathe, particularly whenever the play’s matriarch and her eldest daughter argue, and so they wind up playing like ordinary family squabbles, rather than the uncomfortable, dysfunctional altercations playwright Lee Blessing intended.


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