items tagged with Stephanie Moeller
Written By: Mike Schulz
Section: Theatre
Category: Reviews
2012-07-16 12:00:00
There’s a lovely sincerity to the Playcrafters Barn Theatre’s production of Bernard Slade’s Moving, and Saturday’s performance possessed such realism – with notable acting from every member of director Bryan Woods' cast – that I had to wonder how such an impressively produced piece could feel so mismatched with its script.
Read More About The Crate Escape: "Moving," At The Playcrafters Barn Theatre Through July 22...
Written By: Mike Schulz
Section: Theatre
Category: Reviews
2012-03-26 12:00:00
New Ground Theatre’s current offering, Mr. Marmalade, is about four-year-old Lucy and her imaginary friends. Suicidal, coke-snorting, physically and mentally abusive imaginary friends. And it’s incredibly funny. One particularly dark scene during Thursday's performance, in fact, had me laughing so hard, for so long, that I was wiping away tears by the end of it.
Read More About With Imaginary Friends Like These ... : "Mr. Marmalade," At The Village Theatre Through April 1...
Written By: Mike Schulz
Section: Theatre
Category: Feature Stories
2011-12-15 17:53:34
The Reader's chief theatre reviewer, Thom White, saw and wrote about 52 area stage productions in 2011. I saw 39 and reviewed 12. Obviously, during our second-annual breakfast chat on the Year in Theatre, there was a bit to talk about.
Read More About All The Worlds Of Stage: Mike Schulz And Thom White Discuss Area Theatre In 2011...
Written By: Mike Schulz
Section: Theatre
Category: Reviews
2011-12-05 14:00:11
There are so many smart line deliveries in the Prenzie Players’ Tartuffe that I could gush over each one here and still not have space for half of them. From Stephanie Moeller’s forceful proclamation “I’m timid!” to Jessica Sheridan’s delightfully wicked warning about being stuck with the unbearable title character “each day ... and night ... for life,” Friday’s performance had me cackling over and over again. I won’t, however, point to any more specific line interpretations, for fear of ruining the element of surprise. A large part of the production’s humor lies in hearing its words delivered in unexpected ways.
Read More About False Profit: "Tartuffe," At Skellington Manor Through December 11...
Written By: Mike Schulz
Section: Theatre
Category: Reviews
2011-04-11 12:00:00
There are moments of magic in the Prenzie Players’ Romeo & Juliet, beginning with the first words heard in the prologue: “Two households, both alike in dignity, in fair Verona, where we lay our scene.” These lines are delivered in the midst of a sword fight that spreads across the acting space – the fighters freeze, ethereal music wafts in from above, and Adam Overberg delivers Shakespeare’s well-known introduction, setting the stage for this tale of ill-fated, star-crossed lovers. The moment is stunningly executed, and sets in motion an excitement for what’s to come.
Read More About Considerably-Better-Than-Fair Verona: "Romeo & Juliet," At The Center For Living Arts Through April 17...
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