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items tagged with Stephen Sommers

Joe Blow(s): "G.I. Joe: The Rise of Cobra" and "A Perfect Getaway"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2009-08-10 00:03:10

Sienna Miller in G.I. Joe: The Rise of CobraG.I. JOE: THE RISE OF COBRA

Anticipating that the movie would suck, a friend extended a challenge prior to my screening of G.I. Joe: The Rise of Cobra: Try making it through the whole movie without thinking of Team America: World Police.


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Wrap It Up: "The Mummy: Tomb of the Dragon Emperor" and "Swing Vote"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2008-08-06 07:54:11

Brendan Fraser in The Mummy: Tomb of the Dragon EmperorTHE MUMMY: TOMB OF THE DRAGON EMPEROR

Obviously we're not meant to take The Mummy: Tomb of the Dragon Emperor seriously, as it's a fantasy in which Brendan Fraser kicks the crap out of Jet Li. But honestly, even on this harmlessly dopey franchise's own lowbrow terms, could director Rob Cohen's installment be any more witless?


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"Van Helsing" Forgets to Add a Funny Bone: Also, "Laws of Attraction" and "Elephant"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2004-05-12 00:00:00

Hugh Jackman in Van HelsingVAN HELSING

Stephen Sommers’ action thriller Van Helsing, the first of 2004’s torrent of summer blockbusters, is big, loud, frenetic, and almost no fun at all. For those who’ve missed the omnipresent previews, the film is a special-effects bonanza featuring Hugh Jackman as the titular character, a taciturn growler who spends 130 minutes attempting to rid his corner of Europe from a series of CGI-created monsters, and it’s all treated with such solemnity that I wouldn’t have been surprised to see Henrik Ibsen listed as a screenwriter.


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Forget "The Mummy Returns"; "Memento" Spellbinds
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-05-16 00:00:00

Guy Pearce and Carrie-Anne Moss in MementoMEMENTO

It has taken quite a while, and an especially long while here in the Quad Cities, but the first unequivocally great movie of 2001 has finally appeared: writer-director Christopher Nolan’s crime thriller Memento. And its greatness is of a very particular kind – you want all of your friends to see it immediately, so you can share your excitement with them and work out passages of the film that you’re almost sure you understood. (Getting to review works like Memento is the absolute best thing about being a published film critic.) Like The Truman Show, Memento is so clever, so smart, so full-to-brimming with detail and wit and filmmaking passion that it feels miraculous, and within its genre, it just might be a new classic.


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