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items tagged with Steve Zahn

Killer Instincts: "Jarhead," "Good Night, & Good Lunck.", "Chicken Little," and "The Weather Man"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-11-09 00:00:00

Jake Gyllenhaal in JarheadJARHEAD

In movies, nothing is harder to define than tone, and the tone of Sam Mendes’ Jarhead, based on Tony Swofford’s Gulf War memoir, is so elusive that, hours after it ends, you might still not know what to make of it. In many ways, the movie is like a two-hour expansion of Full Metal Jacket’s first 40 minutes, as the 20-year-old Swofford (Jake Gyllenhaal) and his fellow Marine recruits, pumped up to an almost insane degree, train for their mission in the unbearable desert heat and prepare for battle. In Mendes’ film, however, there is no battle for his protagonists to respond to; the war ends while the Marines’ bloodlust is still reaching a boil. The film is, in many ways, about the maddening banality of service, and it has resulted in an occasionally maddening movie, but its shifting tones and air of unpredictability make it impossible to shake off; at the finale, you might not know exactly what you’ve seen, but you certainly know you’ve seen something.
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Everything About "Sahara" a Beige Bore: Also, "Bride & Prejudice" and "Bad Education"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-04-20 00:00:00

Penelope Cruz and Matthew McConaughey in SaharaSAHARA

I was probably predisposed to dislike Saraha because of my natural aversion to Sand Movies – seeing that much beige and ochre onscreen generally puts me to sleep within five minutes – but the problems with this action-adventure don’t stop with its lack of a distinctive color palette; nearly everything about the movie is beige.


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A Hundred-Plus Reasons to Go to the Movies
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2004-10-27 00:00:00
My first article for the River Cities’ Reader appeared in Issue 18, way back in March of 1995. (You know how long ago that was? Tom Hanks had only one Oscar.) Serving as the Reader’s film critic was, and still is, a terrific gig – for an avowed movie fanatic who loves to write, the chance to expound on the state of cinema has always been about more than giving a particular work a “yay” or “nay” vote; it’s given me, in a minor way, the opportunity to analyze an entire culture, to try to understand what’s in the heads of those who make films, and those who distribute films, and the millions of us who view them.
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Gentler Smith Fails to Score with "Jersey Girl": Also, "Scooby-Doo 2: Monsters Unleashed," "Home on the Range," and "Shattered Glass"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2004-04-07 00:00:00

Ben Affleck and Liv Tyler in Jersey GirlJERSEY GIRL

Theoretically, there’s nothing wrong with Kevin Smith momentarily eschewing his predilection for what he terms “dick and fart jokes” in favor of more honest, heartwarming fare, but good God, don’t we Smith fans deserve better than Jersey Girl? In previous films, Smith presented us with a woman who screws a dead man, the Almighty in the personage of Alanis Morissette, and a lesbian who switches teams for Ben Affleck, yet I found his latest work the least believable in his oeuvre, a movie so brazenly phony and audience-pandering that I wanted to hide my face.


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"Wind" a Mighty Achievement Indeed: "A Mighty Wind" and "Daddy Day Care"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2003-05-14 00:00:00

Harry Shearer, Michael McKean, and Christopher Guest in A Mighty WindA MIGHTY WIND

This might sound like an overstatement, but with A Mighty Wind, writer-director Christopher Guest, aided immeasurably by regular co-scenarist Eugene Levy and his cast of brilliant improv artists, has secured his place as the most distinctive voice in American film comedy since the ’70s heyday of Mel Brooks and Woody Allen. (And judging by the applause that greeted the film’s finale at the screening I attended, I’m not alone in thinking this.)


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