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items tagged with Steven Spielberg

"Spellbound" Reminds How Fun Documentaries Can Be: Also, "The Rundown," "Duplex," and "Underworld"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2003-10-01 00:00:00

Harry Altman in SpellboundSPELLBOUND

I have always considered it a personal mission to convince people that documentaries can actually be fun – recently, I enjoyed a hard-won victory when my mother (who, as she is wont to say, “gets enough drama in life”) acceded to watch Bowling for Columbine and found herself liking it – and, bless their hearts, the folks at the Brew & View appear to as well.


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For Your Consideration: "Chicago," "About Schmidt," "Catch Me If You Can," "The Wild Thornberrys Movie," and "Pinocchio"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2003-01-08 00:00:00

Catherine Zeta-Jones in ChicagoCHICAGO

Rob Marshall’s film version of the Broadway smash Chicago is so ingeniously staged, so electric, and so welcome to so many of us – The Musical Is Back! – that you might find yourself somewhat heartbroken when you barely remember a thing about the film a day after seeing it.


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"Signs" Point to Disappointment with Shyamalan’s Latest: Also, "The Master of Disguise"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2002-08-07 00:00:00

Rory Culkin, Mel Gibson, and Abigail Breslin in SignsSIGNS

M. Night Shyamalan is a clever, clever man. I don’t necessarily mean that as a compliment, though, as he’s clever in a way that’s completely vexing to film critics, or at least, to critics who remain underwhelmed by his output.


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Spielberg, Cruise Make for a Thrilling "Minority Report"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2002-06-26 00:00:00

Tom Cruise and Samantha Morton in Minority ReportMINORITY REPORT

Last summer, when Steven Spielberg’s science-fiction epic A.I.: Artificial Intelligence was released, it was greeted with a few rave reviews but near-universal audience apathy. Working from material shepherded by the late Sultan of Cynicism, Stanley Kubrick, Spielberg directed the film as if Kubrick’s ghost perched on his shoulder, demanding that every scene be moodier, uglier, and above all slower than the one than preceded it; the film was brilliantly designed but emotionally vacant, and it drained you of your energy.


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"Black Hawk Down" a Massive Misfire: Also, "Orange County"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2002-01-23 00:00:00

Black Hawk DownBLACK HAWK DOWN

It has been widely reported that Ridley Scott’s war drama Black Hawk Down, originally due later this year, had its release bumped up to qualify for year-end awards consideration and, in theory, serve as a balm for a country forever damaged by the tragic events of September 11. There’s no reason to refute this, and there might even be a kind of self-serving nobility in Columbia Studios’ decision, yet the film in question is a technically impressive atrocity, one that’s perhaps even more heinous in light of last fall’s terrorist attacks. Although based on true events and Mark Bowden’s well-regarded book, Black Hawk Down is jingoistic, dramatically inert, and sometimes shockingly racist; expect nominations and awards to follow.


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