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items tagged with Ted Levine

Dress for Excess: "The Danish Girl" and "The Boy"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2016-01-24 18:11:35

Eddie Redmayne in The Danish GirlTHE DANISH GIRL

Yes, I’m reviewing director Tom Hooper’s The Danish Girl again, even though my previously published review is really all the film merits. (For those who missed it, the critique ran in my movies-of-2015 article under the “10 Least Favorites” header, and consisted of 19 words: “Everything irritating about period movies, ‘prestige’ movies, issue movies, and Eddie Redmayne all rolled into one carefully tucked package.”) Yet due, no doubt, to the four Oscar nominations the drama received, one of which it actually deserved, Hooper’s latest has finally landed on area screens, so I suppose a few more words are in order – just enough of them to purge the loathing I’ve felt for Hooper’s latest these past four weeks.
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The Crash of 29: “The Age of Adaline," "Little Boy," and "Kumiko, the Treasure Hunter"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2015-04-26 21:54:06

Michiel Huisman and Blake Lively in The Age of AdalineTHE AGE OF ADALINE

In director Lee Toland Krieger’s The Age of Adaline, Blake Lively plays a 29-year-old who, following a supernatural accident involving a car crash and a bolt of lightning, goes through life never again aging a day, and 82-year-old Ellen Burstyn plays her daughter. You may recall that Burstyn also recently portrayed Matthew McConaughey’s elderly daughter in Interstellar. If this is the continuation of a trend for the magnificent actress, I’m really hoping she keeps acting for another decade or more, because I’m dying to eventually see her cast as the great-grand-niece to that adorable little girl on Modern Family.


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The Flicks Are All Right: Mike Schulz’s 10 Most Enjoyable Movies of 2010
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2011-01-03 12:00:00

Justin Timberlake and Jesse Eisenberg in The Social NetworkBefore commencing with the annual fawning, I thought I’d begin by exercising one of my God-given rights as a reviewer: the right to bitch about the sorry state of movies. I think it’s supposed to go something like this:

Boy, are the movies in a sorry state!


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The Loons! The Loons!: “Shutter Island”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2010-02-22 14:46:00

Shutter IslandSHUTTER ISLAND

Shutter Island, Martin Scorsese's operatically paranoid adaptation of Dennis Lehane's 2003 suspense thriller, is easily the best movie of 2010 thus far, so it seems a bit churlish to wish that was higher praise. Don't get me wrong: Even running a wildly overlong 138 minutes, the film is mostly terrific, and one of the very rare works of its kind in which your interest actually increases during the final reels. Yet given Scorsese's glorious technical acumen and the efforts of a ridiculously gifted cast, I still left the cineplex feeling that it just missed greatness, and not even greatness along the lines of GoodFellas or The Departed - more like the genre excellence of Scorsese's 1991 remake of Cape Fear. Shutter Island is a strong, worthy offering, yet as far as this year's releases go, it's only a few degrees more satisfying than Youth in Revolt or Daybreakers. But hey, it's early - I'll happily take it.


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When Bad Movies Happen to Good Actors: “The Goods: Live Hard, Sell Hard” and “Post Grad”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2009-08-23 22:52:46

Jeremy Piven and James Brolin in The Goods: Live Hard, Sell HardTHE GOODS: LIVE HARD, SELL HARD

Assuming his talents haven't waned in the current, sixth season of Entourage, Jeremy Piven's bile-spewing Hollywood agent Ari Gold remains (as of season five) as corrosively entertaining as ever, and the Neal Brennan comedy The Goods: Live Hard, Sell Hard suggests that Piven's Gold routine could be just as enjoyable on big screens as small ones. It would certainly help, though, if the actor were given a few funny scripts to work with, or at least funnier than this shapeless, scattershot comedy about used-car hucksters trying to unload 211 vehicles over a long Fourth of July weekend.


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