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items tagged with The Boy from Oz

Stage (Dumb)Struck: Summer Theatre in the Quad Cities and Surrounding Areas
Written By: Mike Schulz
Section: Theatre

Category: Feature Stories

2010-05-24 12:00:00
J. Adam Lounsberry, Tracy Pelzer-Timm, Jenny Winn, and Nathan Bates in Quad City Music Guild's Guys & DollsAs with summer movies, the area's summer-theatre scene - featuring, at last count, a whopping 68 productions scheduled by 22 organizations - is jam-packed with escapist fare: musicals, comedies, mysteries, musical-comedy mysteries. But like the random art-house release that manages to sneak into Hollywood's blockbuster-centric season, this summer will also feature occasional dramas and classical works, plus no less than four Pulitzer Prize-winners - five, if you count one of them being produced at two separate venues.
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In Their Own Words: Area Talents Share Memories of the 2007 Theatre Season
Written By: Mike Schulz
Section: Theatre

Category: Feature Stories

2007-12-19 08:47:10

King o' the Moon So enough of my opinions already. The following are reflections by Derek Bertelsen, Tyson Danner, Kristofer Eitrheim, Kimberly Furness, Jennifer Kingry, Mandy Landreth, J.C. Luxton, Jackie Madunic, Angela Rathman, Jalayne Reiwerts, Susan Simosky, and Doug Tschopp - local-theatre artisans who enjoyed a memorable 2007.

 


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Cut from Theatre Cloth: Broadway's Philip William McKinley Directs "Crème de Coco" at St. Ambrose
Written By: Mike Schulz
Section: Theatre

Category: Feature Stories

2007-04-11 08:17:56

Phil McKinley For St. Ambrose University's forthcoming production of Crème de Coco - being performed at the Galvin Fine Arts Center from April 20 through 22 - the school recruited guest director Philip William McKinley to helm what will be the world premiere of William Luce's one-act play. During his area tenure, McKinley is also teaching an advanced acting course at St. Ambrose, and in a recent interview, the director explained why honesty is essential in eliciting the best work from performers:

"I think a lot of times, people tell them what they think they want to hear, rather than tell them what they really do need to hear. And if they know that you're telling them something to make them better, or for their own good, they're totally receptive to it."

That seems like a perfectly logical method for directing student actors. But, at this point in our conversation, McKinley wasn't referring to student actors. He was referring to Hugh Jackman.


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