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items tagged with The Dark Knight Rises

The Needle in the Haystack: "Zero Dark Thirty," "Gangster Squad," "A Haunted House," and "Hitchcock"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2013-01-14 18:45:03

Jessica Chastain in Zero Dark ThirtyZERO DARK THIRTY

As an orchestrator of cinematic suspense, Kathryn Bigelow might currently be without peer in American movies. The sequences of Jeremy Renner dismantling explosives in the director’s Oscar-winning The Hurt Locker were miniature masterpieces of sustained excitement; despite our knowing, through much of the film, that it was too early for Renner’s Sergeant William James to be killed off, each masterfully shot and edited act of bomb disposal vibrated with legitimate threat. In Zero Dark Thirty – Bigelow’s and screenwriter Mark Boal’s fictionalized docu-drama about the decade-long search for Osama bin Laden – nearly every scene feels like a ticking time bomb. There is, of course, never any doubt about the narrative’s outcome, yet Bigelow’s gifts for composition and pacing ensure that you still watch the picture with rapt attention and dread. And blessedly, she’s also a spectacular entertainer. The movie is tough-minded and sometimes tough to watch, but even when Bigelow is fraying your nerves, she’s tickling your senses.


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Magic / Mike: Schulz’s 10(-Plus) Most Enjoyable Movies of 2012
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2013-01-07 16:15:13

It’s incomplete, with such 2012 releases as Zero Dark Thirty, Amour, Rust & Bone, Arbitrage, The Intouchables, Not Fade Away, and Here Comes the Boom (ha ha!) still requiring my viewing. And it’s certainly eclectic, as even I can’t fathom a double feature of titles number one and two below. But in an all-around outstanding year for movies, the following ranking of 10 selections – with a bonus inclusion – is, as of January 6, my list of the absolute best times I had as a film fanatic this past year.


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"Get the Hell Out of Me!": "The Possession," "Lawless," and "Celeste & Jesse Forever"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-09-04 12:35:53

Jeffrey Dean Morgan in The PossessionTHE POSSESSION

The new horror thriller The Possession is about a little girl who requires an exorcism to remove the evil dybbuk inhabiting her body, and it opens with a title card informing us that the film is “based on a true story.” You know what I’m aching to see one of these days? An exorcism-themed entertainment that isn’t based on a true story. Can you imagine how much fun these things could be if we weren’t consistently asked to believe in them?


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Politics and Morals, Myths and Hope: Reading Christopher Nolan’s Batman Trilogy
Written By: Jeff Ignatius
Section: Movies

Category: Feature Stories

2012-08-01 19:55:23

Obviously, a lot of noise surrounded The Dark Knight Rises, starting with the hype and anticipation. Then came the extreme reactions to some early negative reviews. And then the midnight-screening mass shooting in Colorado appropriately redirected attention to important matters.

The deaths of 12 people and the injuries to dozens more in that Colorado movie theatre on July 20 highlighted that neither a movie nor Batman is anywhere near as important as human lives.

Yet the arts are still integral to our existence, and whatever you think of Christopher Nolan’s trilogy as films, these movies will stand as key markers in the lives of many millions of people and in the movie business, and they will be viewed as reflections of their cultural and political time. Like the original trio of Star Wars movies, we can already see them as significant pop-art artifacts.

For those reasons alone, Nolan’s Batman movies deserve close scrutiny. They also reward inspection and consideration, as the writer/director has conceived and executed them with a rigor and density unusual to blockbusters. (Expect spoilers, although I’ve tried to be circumspect about late developments in The Dark Knight Rises until the final section.)


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Scraped Crusader: "The Dark Knight Rises" and "Red Stroke"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-07-21 18:03:17

Tom Hardy and Christian Bale in The Dark Knight RisesTHE DARK KNIGHT RISES

The Dark Knight Rises, as you’ve perhaps heard, is the concluding chapter in Christopher Nolan’s series of grandly scaled, intensely serious-minded Batman adventures that began with 2005’s fittingly titled Batman Begins and continued with 2008’s The Dark Knight. It is also, as you perhaps hoped, a terrifically satisfying wrap-up to the trilogy – flawed, at times distractingly flawed, but powerful and resonant and deeply emotional. After my lukewarm responses to The Avengers and The Amazing Spider-Man, I would’ve been relieved to exit this summer’s latest superhero blockbuster merely content. Instead, I left Nolan’s 165-minute comic-book epic simultaneously jazzed and sated, and more than ready to see it again.


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