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items tagged with The Dark Knight

Politics and Morals, Myths and Hope: Reading Christopher Nolan’s Batman Trilogy
Written By: Jeff Ignatius
Section: Movies

Category: Feature Stories

2012-08-01 19:55:23

Obviously, a lot of noise surrounded The Dark Knight Rises, starting with the hype and anticipation. Then came the extreme reactions to some early negative reviews. And then the midnight-screening mass shooting in Colorado appropriately redirected attention to important matters.

The deaths of 12 people and the injuries to dozens more in that Colorado movie theatre on July 20 highlighted that neither a movie nor Batman is anywhere near as important as human lives.

Yet the arts are still integral to our existence, and whatever you think of Christopher Nolan’s trilogy as films, these movies will stand as key markers in the lives of many millions of people and in the movie business, and they will be viewed as reflections of their cultural and political time. Like the original trio of Star Wars movies, we can already see them as significant pop-art artifacts.

For those reasons alone, Nolan’s Batman movies deserve close scrutiny. They also reward inspection and consideration, as the writer/director has conceived and executed them with a rigor and density unusual to blockbusters. (Expect spoilers, although I’ve tried to be circumspect about late developments in The Dark Knight Rises until the final section.)


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Scraped Crusader: "The Dark Knight Rises" and "Red Stroke"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-07-21 18:03:17

Tom Hardy and Christian Bale in The Dark Knight RisesTHE DARK KNIGHT RISES

The Dark Knight Rises, as you’ve perhaps heard, is the concluding chapter in Christopher Nolan’s series of grandly scaled, intensely serious-minded Batman adventures that began with 2005’s fittingly titled Batman Begins and continued with 2008’s The Dark Knight. It is also, as you perhaps hoped, a terrifically satisfying wrap-up to the trilogy – flawed, at times distractingly flawed, but powerful and resonant and deeply emotional. After my lukewarm responses to The Avengers and The Amazing Spider-Man, I would’ve been relieved to exit this summer’s latest superhero blockbuster merely content. Instead, I left Nolan’s 165-minute comic-book epic simultaneously jazzed and sated, and more than ready to see it again.


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Perish (in) the Thought: "Inception"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2010-07-18 22:07:19

Joseph Gordon-Levitt in InceptionINCEPTION

Inception, the latest offering from the director of Memento, The Prestige, Batman Begins, and The Dark Knight, is, I think, my new favorite of Christopher Nolan's screen works. Considering the breadth of the compliment, I briefly considered letting my review stand with that one sentence, but I suppose a few more paragraphs are in order.
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The Pop of the King: “Michael Jackson’s This Is It,” “Astro Boy,” and “Cirque du Freak: The Vampire’s Assistant”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2009-11-01 18:57:10

Michael Jackson's This Is ItMICHAEL JACKSON'S THIS IS IT

For a film that seemed to have "commercial exploitation" written all over it, Michael Jackson's This Is It is an intensely loving and even indispensable piece of work -- a joyous celebration of performance drive, hard work, and a fearsome amount of skill. Culled from roughly 100 hours of rehearsal footage from the late star's planned concert tour, director Kenny Oretga's behind-the-scenes account doesn't offer much in the way of insight, nor is it meant to. Yet it's still a first-rate spectacle that, at times, provides an almost ridiculous amount of pleasure; somehow, miraculously, Ortega and his editors have shaped their footage into a documentary that boasts the kineticism, excitement, and boundless ebullience of a kick-ass movie musical.


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Bombs Away: "Funny People," "The Hurt Locker," and "G-Force"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2009-08-03 12:57:48

Adam Sandler and Leslie Mann in Funny PeopleFUNNY PEOPLE

Leslie Mann, the wife of comedy kingpin Judd Apatow, is unfailingly awesome, and I love her in her husband's first two outings as a film writer/director: 2005's The 40-Year-Old Virgin and 2007's Knocked Up. So it pains me to say that I would've enjoyed Apatow's third auteurist venture - the current Funny People - a whole lot more if Mann's character had been excised from it completely. Of course, that would've made the movie almost a full hour shorter than it is. That would've been all right, too.


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