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items tagged with The Hudsucker Proxy

Folk Yeah!: "Inside Llewyn Davis" and "Lone Survivor"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-01-13 03:18:31

Oscar Isaac, Justin Timberlake, and Adam Driver in Inside Llewyn DavisINSIDE LLEWYN DAVIS

There are some Coen-brothers movies – Fargo and O Brother, Where Art Thou? and True Grit come immediately to mind – that, because they exude such palpable filmmaking energy and are so spectacularly quotable, I wanted to talk about immediately after first seeing them. Then there are the rarer Coen-brothers movies, among them The Hudsucker Proxy and Intolerable Cruelty and Burn After Reading, that I didn’t feel much like talking about afterward, mostly because I didn’t enjoy them much on a first go-round. (Though I’ve consequently become a big fan of Joel’s and Ethan’s Hudsucker and Burn, in the case of Intolerable Cruelty, second and third go-rounds did nothing to improve matters.)

And then there are Coen-brothers movies such as the new Inside Llewyn Davis, a work that is, I think, so good that I don’t want to discuss it for fear of not coming close to doing it justice.


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Monkey Shines: "King Kong"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-12-21 00:00:00

Naomi Watts and King KongKING KONG

The most telling detail in Peter Jackson’s grand, overlong, monstrously enjoyable King Kong remake is, considering the scope of this production, a relatively minor one. Having been captured by the natives of Skull Island, the ingénue Ann (Naomi Watts) is presented – tied and shrieking – as a sacrifice/gift to the enormous ape, who emerges from the jungle, frees Ann from her bindings, and grasps her in his giant paw. (Kong doesn’t grace the scene until roughly an hour into the movie, and the moments leading up to his arrival are a miracle of sound design and visual suggestion; Kong’s appearance is absolutely worth waiting for.) Like a petulant toddler who doesn’t want to share his toy, Kong quickly races back to his jungle retreat with his new plaything in hand, and the force and velocity of the ape’s movements make Ann resemble nothing so much as a human rag doll, her body limp and her limbs flailing.


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Tarantino and Coens Stumble with Latest Flicks: "Kill Bill Volume 1," "Intolerable Cruelty," "Out of Time," and "Balseros"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2003-10-15 00:00:00

Uma Thurman in Kill Bill: Volume IKILL BILL: VOLUME I

Miramax’s decision to release Quentin Tarantino’s Kill Bill in two installments was probably smart, as it’ll inevitably boost the film’s collective box-office intake and doesn’t require audiences to commit, all at once, to a three-and-a-half-hour homage to Japanese samurai flicks.


Read More About Tarantino And Coens Stumble With Latest Flicks: "Kill Bill Volume 1," "Intolerable Cruelty," "Out Of Time," And "Balseros"...


Two and a Half Cheers: "Crouching Tiger, Hidden Dragon," "O Brother, Where Art Thou?", and "The Wedding Planner"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-02-07 00:00:00

Michelle Yeoh in Crouching Tiger, Hidden DragonCROUCHING TIGER, HIDDEN DRAGON

You may have heard that Ang Lee’s latest work, the historical-drama/romance/martial-arts/action pic Crouching Tiger, Hidden Dragon, is in Chinese with English subtitles. It's true. Yet no filmgoer with a subtitle phobia should be dissuaded from seeing the movie, because it’s such a thrilling, intoxicating, heady ride that its subtitles are absolutely superfluous. Ang Lee has created something rather amazing – an accessible, American-audience-friendly foreign work – that will leave you gasping at its audacity and superior visuals while finding yourself completely enraptured by its two sets of heartbreaking romances; it’s a Chinese Titanic with a better script.


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Sleepy and Dopey: "The Legend of Bagger Vance" and "Charlie's Angels"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2000-11-08 00:00:00

Will Smith and Matt Damon in The Legend of Bagger VanceTHE LEGEND OF BAGGER VANCE

The Legend of Bagger Vance, Robert Redford’s golfing fable, isn’t a work of any depth, and there’s precious little intelligence on display, but it sure looks pretty – so pretty, in fact, that audiences might not realize that the movie itself is a dud. From the golden-hued cinematography of the great Michael Ballhaus to the stunning, Depression-era costuming and production design, it’s clear that the film has been made with the utmost care and a real attention to physical and aural beauty; if you didn’t understand a word of English, you might find it a masterpiece.


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