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items tagged with The Shining

Hide and Speak: "Don't Be Afraid of the Dark," "Our Idiot Brother," and "Sharks 3D"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2011-08-28 23:41:16

Katie Holmes and Bailee Madison in Don't Be Afraid of the DarkDON’T BE AFRAID OF THE DARK

When a horror movie is really working, you tend to feel a tightening in the gut – a means of preventing you from audibly reacting to the intensity. When a horror movie is really not working, at least at the cineplex, you also tend to feel this clenching of the stomach muscles, but not because you’re trying to avoid screaming. It’s because you’re trying to avoid laughing.


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Haunted Man's Son: "Insidious," "Source Code," and "Hop"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2011-04-03 19:02:56

InsidiousINSIDIOUS

It features every cliché in the haunted-house handbook. It borrows liberally from other, iconic horror movies. It’s by the director of the original Saw and the slightly more bearable killer-mannequin flick Dead Silence. And for all of the momentary jolts provided by the loud bangs and shrieking violins on its soundtrack, the most shocking thing about Insidious is how irrationally good it is.

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The Loons! The Loons!: “Shutter Island”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2010-02-22 14:46:00

Shutter IslandSHUTTER ISLAND

Shutter Island, Martin Scorsese's operatically paranoid adaptation of Dennis Lehane's 2003 suspense thriller, is easily the best movie of 2010 thus far, so it seems a bit churlish to wish that was higher praise. Don't get me wrong: Even running a wildly overlong 138 minutes, the film is mostly terrific, and one of the very rare works of its kind in which your interest actually increases during the final reels. Yet given Scorsese's glorious technical acumen and the efforts of a ridiculously gifted cast, I still left the cineplex feeling that it just missed greatness, and not even greatness along the lines of GoodFellas or The Departed - more like the genre excellence of Scorsese's 1991 remake of Cape Fear. Shutter Island is a strong, worthy offering, yet as far as this year's releases go, it's only a few degrees more satisfying than Youth in Revolt or Daybreakers. But hey, it's early - I'll happily take it.


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Heavy Duty: "Norbit," "Hannibal Rising," and "The Messengers"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2007-02-14 08:36:24

Eddie Murphy in NorbitNORBIT

Eddie Murphy's latest latex comedy, Norbit, is an unusual mixture of abject stupidity and sheer genius. If you've seen the previews - and is there anyone left who hasn't? - you've pretty much gleaned the plot, which finds our nerdy, titular hero (Murphy) trapped in matrimonial hell with the punishing, frighteningly obese Rasputia (Murphy again), and yearning to win the heart of his one true love (Thandie Newton). From beginning to end, director Brian Robbins' movie is formulaic, repetitive, obvious, and not nearly as hysterical as it wants to be. It's also one of the few comedies of recent years to be touched with something approximating brilliance.


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"The Interpreter" a Thriller in Intent Only: Also, "Born Into Brothels," "The Amityville Horror," and "Kung Fu Hustle"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-04-27 00:00:00

Sean Penn and Nicole Kidman in The InterpreterTHE INTERPRETER

Why do Sydney Pollack’s movies so rarely have the snap and directness of his acting? Pollack doesn’t appear onscreen nearly enough, and when he does, it’s usually only for a scene or two. (His intellectual lout in Husbands & Wives was a rare, marvelous exception.) But these extended cameos – in Tootsie (which he also directed), Death Becomes Her, and Changing Lanes, especially – show Pollack the Actor to be a quick-witted utility player with focus and drive; without the slightest apparent effort, he can steal scenes from Dustin Hoffman or Tom Cruise, and any movie he’s in gains in intensity and sharpness when he’s around. Pollack the Director is another matter entirely. In the years since 1982’s Tootsie, he has churned out one logy, shapeless, middlebrow time-waster after another: Havana, The Firm, Sabrina, Random Hearts … they all wear their “prestige” on their sleeves, mistake inertia for depth, and are painfully overlong. (It’s the Out of Africa Syndrome.)


Read More About "The Interpreter" A Thriller In Intent Only: Also, "Born Into Brothels," "The Amityville Horror," And "Kung Fu Hustle"...





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