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items tagged with The Truman Show

"Constantine"’s Moments of Inspiration Can’t Save It: Also, "P.S."
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-03-02 00:00:00

Keanu Reeves in ConstantineCONSTANTINE

At one point in Bryan Singer’s original X-Men film, Wolverine stares at the fetishistic black-leather duds he and his teammates are wearing and asks, incredulously, “You actually go outside in these things?” To which Cyclops, in-joking on the character’s original Marvel-comic attire, replies, “What, would you prefer yellow Spandex?” God, yes.


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"Love Actually" Is a Glorious Mess: Also, "Master & Commander: The Far Side of the World"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2003-11-19 00:00:00

Emma Thompson in Love ActuallyLOVE ACTUALLY

If you are to believe the (mostly) glowing responses to Love Actually, writer-director Richard Curtis has compressed material for a half-dozen romantic comedies into one, creating, in the words of one reviewer, “an epic romantic comedy.” But that’s not exactly accurate. For his first directorial outing, Curtis – the clever, funny screenwriter of Four Weddings & A Funeral and Notting Hill – has apparently decided to take every idea he’s ever had, every last one, and blend them into a frothy, holiday-themed confection; it’s less an epic romantic comedy than a romantic comedy shaped as an epic (which isn’t the same).


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Ideas Salvage "Simone": Also, "Serving Sara"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2002-08-28 00:00:00

Al Pacino and Rachel Roberts in SimoneSIMONE

Andrew Niccol appears to be obsessed with a theme that, in all likelihood, he can spend his entire filmmaking career exploring: What is the nature of reality? In 1997’s vastly underrated Gattaca, which Niccol wrote and directed, he investigated the perils of genetic engineering, as his biologically “natural” protagonist Vincent assumed the identity of the genetically “perfect” Jerome to further his space-exploration career; the film, which on paper might seem a cerebral sci-fi comedy of mistaken identity, dramatized what it meant to be “real” in an unreal world, and was a heady, thrilling experience.


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Forget "The Mummy Returns"; "Memento" Spellbinds
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-05-16 00:00:00

Guy Pearce and Carrie-Anne Moss in MementoMEMENTO

It has taken quite a while, and an especially long while here in the Quad Cities, but the first unequivocally great movie of 2001 has finally appeared: writer-director Christopher Nolan’s crime thriller Memento. And its greatness is of a very particular kind – you want all of your friends to see it immediately, so you can share your excitement with them and work out passages of the film that you’re almost sure you understood. (Getting to review works like Memento is the absolute best thing about being a published film critic.) Like The Truman Show, Memento is so clever, so smart, so full-to-brimming with detail and wit and filmmaking passion that it feels miraculous, and within its genre, it just might be a new classic.


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