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items tagged with The Untouchables

The Needle in the Haystack: "Zero Dark Thirty," "Gangster Squad," "A Haunted House," and "Hitchcock"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2013-01-14 18:45:03

Jessica Chastain in Zero Dark ThirtyZERO DARK THIRTY

As an orchestrator of cinematic suspense, Kathryn Bigelow might currently be without peer in American movies. The sequences of Jeremy Renner dismantling explosives in the director’s Oscar-winning The Hurt Locker were miniature masterpieces of sustained excitement; despite our knowing, through much of the film, that it was too early for Renner’s Sergeant William James to be killed off, each masterfully shot and edited act of bomb disposal vibrated with legitimate threat. In Zero Dark Thirty – Bigelow’s and screenwriter Mark Boal’s fictionalized docu-drama about the decade-long search for Osama bin Laden – nearly every scene feels like a ticking time bomb. There is, of course, never any doubt about the narrative’s outcome, yet Bigelow’s gifts for composition and pacing ensure that you still watch the picture with rapt attention and dread. And blessedly, she’s also a spectacular entertainer. The movie is tough-minded and sometimes tough to watch, but even when Bigelow is fraying your nerves, she’s tickling your senses.


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The Passion of the Cristero: "For Greater Glory," "Chernobyl Diaries," and "Tornado Alley 3D"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-06-04 02:24:36

Andy Garcia and Mauricio Kuri in For Greater GloryFOR GREATER GLORY

To my considerable chagrin, before seeing For Greater Glory, I had no knowledge of the Cristero War that serves as the film’s subject – a brutal conflict between devout Roman Catholics and the Mexican government that, in the late 1920s, claimed nearly 100,000 lives. Consequently, I thank director Dean Wright and screenwriter Michael Love for their two-and-a-half hour exploration of this years-long struggle, a movie that’s intensely informative and sincere, and mostly engaging. If only it weren’t also so sentimental, and so manipulative.


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The Blond Leading the Bland: "Drillbit Taylor," "Tyler Perry's Meet the Browns," and "Shutter"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2008-03-26 08:16:18

Nate Hartley, Owen Wilson, David Dorfman, and Troy Gentile in Drillbit TaylorDRILLBIT TAYLOR

Last summer, when Superbad hit it big, we learned that co-writers Seth Rogen and Evan Goldberg wrote a first draft of the script when they were 13. Rogen is now credited as co-writer (with Kristofer Brown) for the revenge-of-the-nerds comedy Drillbit Taylor, and although I haven't done any research on the film's history, I'm kind of hoping it's something he began working on when he was, say, eight or nine. Juvenile is one thing, but remedial is quite another, and unfortunately, Drillbit Taylor feels as though it was hastily assembled during a grade-school sleepover in which Rogen began prepping Superbad, with My Bodyguard and Ferris Bueller's Day Off used as additional "inspiration."

 


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"The Interpreter" a Thriller in Intent Only: Also, "Born Into Brothels," "The Amityville Horror," and "Kung Fu Hustle"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-04-27 00:00:00

Sean Penn and Nicole Kidman in The InterpreterTHE INTERPRETER

Why do Sydney Pollack’s movies so rarely have the snap and directness of his acting? Pollack doesn’t appear onscreen nearly enough, and when he does, it’s usually only for a scene or two. (His intellectual lout in Husbands & Wives was a rare, marvelous exception.) But these extended cameos – in Tootsie (which he also directed), Death Becomes Her, and Changing Lanes, especially – show Pollack the Actor to be a quick-witted utility player with focus and drive; without the slightest apparent effort, he can steal scenes from Dustin Hoffman or Tom Cruise, and any movie he’s in gains in intensity and sharpness when he’s around. Pollack the Director is another matter entirely. In the years since 1982’s Tootsie, he has churned out one logy, shapeless, middlebrow time-waster after another: Havana, The Firm, Sabrina, Random Hearts … they all wear their “prestige” on their sleeves, mistake inertia for depth, and are painfully overlong. (It’s the Out of Africa Syndrome.)


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